Howdy Folks! Welcome to The UnEarthed In The Atomic Attic album blog! Here you will find a wide variety of unusual Space Age Vinyl finds that feature good quality cover scans, jacket notes and audio samples for you to enjoy. I'm here to have fun and hope you will share in my process of discovery!
La balada de John y Yoko
En una playa junto al mar
Orgullosa Maria
Lisa de los ojos azules
Caminando por el centro
Campos Eliseos
Sentado en el muelle de la bahia
Maria Isabel
Azucar, azucar
Tu nombre me sabe a hierba
Cuentame
Te regalo mis ojos
Estoy loca por ti
Hace frio ya
En el ano 2525
La Inspiracion De Frenando Valades
Su Piano Y Ritmos
Vol. II
RCA Victor MKL - 1405
1961
Pleasant lounge set with all tunes, apparently, written by Valades.
Regalo Del Cielo
Cantale Mar
No Me Niegues
Tu Sabras Si Te Vas
Tal Vez Mi Despedida
No Mas
Nada Mas Una Noche Te Pido
La Vida O La Razon
Espera Que Te De Mi Amor
Inmortal
Por Que No He De Llorar
El Diccionario
Presenting Margarita Sierra
The Sparkling Señorita From Spain
Accompanied by Silvo Masciarelli and His Orchestra and Frenando Sirvent at the Guitar
Seeco CELP - 407
This excellent set is split between more traditional "Flamenco" numbers and more period "light-pop"flavored tracks.
Sierra appeared in an early 60s American television series, Surfside 6 as nightclub singer Cha Cha O'Brien. She died in Hollywood, California in 1963 at the age of 27 from complications following heart surgery.
There is a 1961 listing in Billboard for another album she made: Margarita (Cha Cha) Sierra (Warner Bros. 4248).
From the back cover: The current rage in American nightclubs is foreign chanteuses, and one columnist was heard to remark that there were more of them here than in Europe. Perhaps the most exciting young lady of them all is a singing flamenco beauty from Seville, Margarita Sierra.
Born in Madrid, Spain, this dark-haired, flashing-eyed beauty was a sensation on the continent and in Havana, Mexico City, and Caracas before making her American debut at the Nautilus Hotel in Miami Beach. It was while she was appearing at the Nacional Hotel in Havana that she was tapped for her Florida engagement, which proved as equally successful.
Miss Sierra was immediately brought to New York by Angel Lopez to star in his Latin-Amercian cabaret in the East. This was followed by engagements at the Viennese Lantern and the Maisonette Room of the St. Regis Hotel.
Miss Sierra speaks little English and sings but little more, but she nevertheless generates a sizzling rapport with her audience. She has an exceptionally well-developed voice and a repertoire stacked with the familiars that rate her the windfall applause, including "Malaeguena", "Lisbon Antigua", a Mexican medley and "Noche de Ronde". Her rendition of "Who'll But My Violets" is reported to be the best since Lupe Velez introduced it many years ago at the Rialto in New York City.
Wherever this sultry Miss has appeared in top-ranking supper clubs and hotels throughout the world, the wall have echoed with thunderous "Bravos" for her fine performances. At each engagement she captures the audience in the same "tender trap". She sings with a surefire charm that weaves a spell over breathless swains at ringside. With her fine contralto voice and stylized treatment, the Spanish lyrics take on lucid meaning.
One of the most striking assets in Miss Sierra's favor is her gorgeous wardrobe, which consists of fabulous gowns – all originals – designed by Spain's leading couturiers; Raffran of Barcelona, Vianor of Barcelona, and Marbel of Madrid. While appearing in Miami she was requested to display them at a special fashion show at one of the Florida resort's more exclusive shops.
Ole Flamenco
Libon Antigua
Romancero Gitano
Te Quiero Dijiste
Sortija De Oro
El Botijero
Cuando Vuelva A Tu Lado
Malaguena
A La Vera Del Agua
Latin Potpourri (Ay, Ay, Ay - La Paloma - Cielito Lindo - Mexican Hat Dance)
Lady Fingers
Ethel Smith At The Organ
Decca Records DL 8744
1958
From the back cover: Listen now, as Ethel Smith paints a series of colorful pictures… Join her on a Louisiana Hayride; as she depicts a Cat On A Hot Hammond – with an ad-lib organ chorus in a "Birdland" jazz idiom; or as she improvises a Hot Prelude over a pedal pattern which accentuates the humor and excitement of her unusual technique.
Kitten On The Keys
I Feel Pretty
Louisiana Hayride
Hey Hey
Hot Prelude
Rockin' The Scale
Seventy Six Trombones
Lady Fingers
Hola
In An Eighteenth Century Drawing Room
Cat On A Hot Hammond
Escondido - George Gates (Welk's Musical Director)
Land Of A Thousand Guitars
Buddy Merrill
Produced by Buddy Merrill and Scott Seely
Accent Records ACS 5026
1968
A fine space-age set by Buddy Merrill, one of Lawernce Welk's guitarists (1955-1974). Merrill was also a highly-sought after studio musician. The set was produced using 14 guitars.
The photo of Merrill is a full page from the interior of the book-fold jacket.
Do You Know The Way To San Jose? - Bacharach - David
Escondido - George Cates
Love Is Blue - P. Mauriat
The Worm Turns - Buddy Merrill
Ode To Billy Joe - Bobbie Gentry
The Saints Go Marching In - Arranged and Adapted by Buddy Merrill
Mac Arthur Park - Jim Webb
Hushabye Mountain - Sherman-Sherman
Impossible Dream - Darion - Leigh
Gentle On My Mind - John Hartford
Crack Up - Merrill - Scott
Street Corner - Frank Scott
Perfect For Dancing
Rumbas
Produced and prepared under the direction of the Fred Astaire Dance Studios
Cover Photo by David Hecht
RCA Victor LPM-1069
1955
This is an excellent mid-50s Latin compilation album that features a variety of approaches and vocals including Tito Rodriguez's Ya Lo Puedes Decir which is available from your online vendors.
Rumba Rumbero - Jose Curbelo and His Orchestra
Mary Ann Calypso - Jose Curbelo and His Orchestra
Dream Mist - Jose Curbelo and His Orchestra
Tru-Cu Tu-Son - Jose Curbelo and His Orchestra
Arinanara - Tito Puente and His Orchestra
Lagrimas Negras - Tito Puente and His Orchestra
Jungle Drums - Miguelito Valdes and His Orchestra
Always In My Heart - Miguelito Valdes and His Orchestra
La Comparsa - Miguelito Valdes and His Orchestra
Say Si Si - Miguelito Valdes and His Orchestra
The Breeze And I - Miguelito Valdes and His Orchestra
Ya Lo Puedes Decir - Tito Rodriquez and His Orchestra
If Bill Pate is still around, perhaps he could leave a comment that explains the cartoon on the cover.
Ebb Tide is referred to, on the back cover as "a rockin' arrangement..."
From Billboard - December 22, 1958: Multi-track enables Anthony to provide tasteful, swingy organ solo work, plus his own backing (on harpsichord, vibraphone and piano) in this pleasant collection of instrumentals.
The back cover credits additional musicians "…fill with musical enthusiasm and closely integrated with Howard Roberts' guitar, Mel Lewis' drums and Buddy Clark's bass."
The backup musicians are engineered into the mix at such low levels that you hardly hear them working or think that their production could be organ effects.
From the back cover: Al started playing the organ in a Waukegan, Illinois church at the age of twelve. After graduating from high school, he attended college in Minneapolis, studying music and playing football. Deciding his future lay in the music field, he left college and formed a trio which won him popularity in supper clubs in Chicago, New York, Las Vega and eventually the West Coast.
Al spent the entire 1956 winter season playing at the Hotel La Paz in Palm Springs, California, where he won the title of "Palm Springs' Most Popular Entertainer"… and summer seasons of '56 and '57 gaining new fans in Paris, Copenhagen, Rome and other European resorts. Guest appearances on Hollywood television shows followed and led to his own West Coast TV show, motion pictures, a recording contract and now, his first and very exciting Liberty album.
Carmelita
I Can't Believe That You're In Love With Me
Camptown Races
Tropical Merengue
Baia
Sabre Dance
You're Driving Me Crazy
Ebb Tide
Ev'rything I've Got (Belongs To You)
Swingin' Hi
Eleanora
Brass Impact
Goin' Someplace
Warren Kime & His Brass Impact
Originated and Produced by Loren Becker and Robert Byrne
Arrangements by Jack Andrews
Engineering and Stereo Mastering by George Piros
Art Director: Daniel Pezza
Command/ABC RS 935 SD
1968
Pow! Third in a series of excellent Kime space age brass albums that include Brass Impact and Explosive Brass Impact. The package features dynamic cover art and Command's typical excellent sound/engineering.
Song Of India
The Japanese Sandman
Bei Mir Bist Du Schon
Volare
Goin' Someplace
It's A Big Wide Wonderful World
Istanbul
On My Mind
Tequila
Let's Get Away From It All
Cielito Lindo
Lo Mejor Para Bailar
Orquesta Romanticos De Cuba
Hi-Fi Musidisc Masterpiece Series
Disca SP-118
Our cover model is studying exotica instruments, deciding if she would rather hear a fiery Latin percussion based set or a pleasant, but not-so-sexy, lush strings set. She chooses lush strings.
Anema E Cuore
Tuya
Non Dimenticar
Cercavo Una Donna
Accarezzame
Nostalgia De Roma
Acercate
Tu Me Acostumbraste
Begin The Beguine
Tres Palabras
Solamente Una Vez
Angusta
Contrasting Colors
Kenyon Hopkins
Produced By Andy Wiswell
Capitol Records T 1158
1959
From the back cover: Keyon Hopkins has received widespread acclaim as one of Hollywood and New York's most popular composers and arranger-conductors. He has scored such motion-pictures as Baby Doll, Twelve Angry Men and The Strange One, and has written fine arrangements for Capitol albums by Joe Bushkin, among them Blue Angels and I Get A Kick Out Of Porter. Here, Kenyon debuts as a recording star in his own right with "Contrasting Colors" – unusual and exciting arrangements that are a tribute to his powerful talent.
From Billboard - March 16, 1959: A striking cover, featuring contrasting-type beauties in provacative poses gives this package sock display value. Hopkins provides tasteful, licensable instrumental treatments of standards in contrasting moods-lighthearted arrangement of "Get Happy," quiet, haunting "September Song," etc.
Hopkins created an amazing big band concept debut album. The jacket notes hit the mark whereas Billboard spends too much word count on the cover images. It seems as though the reviewer failed to read the jacket notes that explain that "They (the arrangements) feature two separate orchestras: one of nine brass, the other of six reeds, each with rhythm plus such unusual instruments as orchestra bells and harpsichord. And these two well-woven groups match sounds in bright interplay – choruses by the reeds fitting perfectly with, but in sharp contrast to, deep-throated brass passages."
So, if I read the notes correctly, the "contrasts" are more than "mood" shifts between songs.
The recording also features excellent engineering.
Get Happy
Am I Blue
Daybreak
At Sundown
September Song
Spring Is Here
Autumn In New York
April In Paris
