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Friday, September 9, 2022

A Night At Eddie Condon's

 

The Sheik Of Araby

A Night At Eddie Condon's
Eddis Condon And His Orchestra
With All Star Jazzmen
Decca Record DL 8281

From the back cover: Yes, jazz is getting respectable. Virgil Thomson, ultra-critical collaborator with Gertrude Stein in interviewing one of Condon's concerts says: "The tuttis were a grandeur, a sumptuousness of sound and a spontaneous integration of individual freedom that makes one proud of the country that gave birth to such a high manifestation of sensibility and intelligence, and happy to be present at such a full and noble expression of the musical facilities." And so on. Very respectable indeed!

Impromptu Ensemble No. 1
The Sheik Of Araby
Farewell Blues
Stars Fell On Alabama
Nobody Knows
Aunt Hagar's Blues
Just You, Just Me
Atlanta Blues (Make Me A Pallet On Your Floor)
The Way You Look Tonight
Some Sunny Day
Rose Of The Rio Grande
We Called It Music

Earl Bostic Plays The Great Hits Of 1964

 

Theme From The Unforgiven

Earl Bostic
The Great Hits Of 1964
King Records 921

Pink Panther
Charade
Dominque
Walk On The Wild Side
Hello Dolly
More
From Russia With Love
Theme From The Unforgiven
Days Of Wine And Roses
My Special Dream
Maria
Lawrence Of Arabia

Tuesday, September 6, 2022

Double Barrel Jazz - No Blanks Here

 

Took The Spook

Double Barrel Jazz
(No Blanks Here)
Bethlehem Records BCP 87
1959

I Loves You Porgy - Nina Simone
There Will Never Be Another You - Stu Williamson
Extraversion - Stan Levey
Delighted - Sal Salvador
The Night We Called It Day - Terry Morel
Over The Rainbow - The Six
The Thrill Is Gone - Howard McGhee
Ghost Of A Chance - Herb Jeffries
Swinging 'Til The Girls Come Home - Oscar Pettiford
Mean To Me - Ruby Braff
East Side - Eddie Chu
Lou's Blue - Bob Hardaway
West Coasting - Stan Levy
Took The Spook - Sal Salvador

Giants Of Jazz - Brass - Volume V

 

Home

Giants Of Jazz
The Jazz Greats
Brass - Volume V
EmArcy MG36053
A Product of Mercury Record Corporation
1955

From the back cover: The remarkable series of albums dedicated to "Giants Of Jazz" hits a new high with this wonderful collection of performances featuring some of the leading brass men of our time.

Trombones take precedence on the first side, while trumpets have the spotlight on the second. Home, Too Marvelous For Words and Somebody Loves Me were originally recored under the name of George Wettling's New Yorkers, but the group assembled by that distinguished drummer for the date (on December 12, 1944) included Jack Teagarden, whose trombone and vocal work naturally dominated the proceedings. There is a brass bonus, too, in the presence of Joe Thomas, a fine trumpeter who played with Benny Carter and other name bands in the early 1940's. Completing the unique all-star lineup on this date are Coleman Hawkins, long acknowledged the first and foremost of all tenor saxophonists; Handk D'Amico, a fine clarinetist who had worked with Red Norvo, Tommy Dorsey and Raymond Scott; Herman Chittison, the fine pianist who has led his own trio for the past fifteen years; and Billy Taylor, the ex-Ellington bass player (not related to the piano player of the same name).

Liza,  Where Or When and Once In A While were recorded at a unique session by "Benny Morton's Trombone Choir," and the first date of this kind ever made. Benny Morton, a native New Yorker, was prominent in the 1930's with the bands of Fletcher Henderson, Don Redman and Count Basie, and in the '40's with Teddy Wilson, Raymond Scott and Edmond Hall. In recent years he has worked mainly in pit bands for Broadway shows, but he is remembered as one of the most personable trombone stylists. On this session, recorded May 30, 1944, he had with him Bill Harris, who was due the following year to win the first of a long series of Down Beat awards as the country's number one trombonist; Vik Dickenson, who was to wing the Esquire Silver Award in the trombone division in 1946 and 1947 (Vic, too,  is a Basie alumnus); and Claude Jones, who played in the Henderson, Calloway and Chick Webb bands and was with Duke Ellington from 1944-48. These four trombonists are accompanied by Johnny Guarnieri on piano, Al Hall on bass and the late Sid Catlett on drums.

St. Louis Blues, Don't Be That Way, I Want To Be Happy and Fiesta In Brass were recorded at a session that did for the trumpets what Morton's date accomplished for the trombones. Recorded in January, 1944 as the "Little Jazz Trumpet Ensemble,"these tunes feature Roy "Little Jazz" Eldridge, Emmett Serry and Joe Thomas on trumpets, with Johnny Guarnieri, bassist Israel Crosby and drummer Cozy Cole. If our ears and the musicians' memories serve un correctly, the solo order is as follows. On St. Louis Blues – Eldridge, Thomas, Berry, Eldridge; on Don't Be That Way - the same; on I Want To  Be Happy – Berry, Eldridge, Thomas, Eldridge; on Fiesta In Brass – Eldridge, Thomas, Berry.

Finally, on My Man and El Salon De Gutbucket, another product of the 1944 Golden Era of jazz recording, we meet the one and only Charlie Shavers. At that time Charlie was just about winding up a seven-year association with the John Kirby Sextet and was just about to start an intermittent association with Tommy Dorsey that is still operative. On the beautiful muted mood of My Man and the open work on the swinging Gutbucket Blues, Charlie is aided  by four more true giants of jazz; Coleman Hawkins on tenor saxophone, Teddy Wilson on piano, Billy Taylor on bass, Denzil Best on drums.

Home
Too Marvelous For Words
Somebody Loves Me
Liza
Where Or When
Once In A While
St. Louis Blues
Don't Be That Way
I Want To Be Happy
Fiesta In Brass
My Man
El Salon De Gutbucket

New Horizons - Les Brown

 

Something

New Worlds
Les Brown
And The Super Sounds Of Renown
With The Jack Halloran Singers
Producer: Sonny Burke
Recording Engineer: Lenny Roberts
Recorded in Hollywood, California 
Cover Illustration by Bob Krogle thru Art Expo
Art Direction: Ken Kim
Daybreak Stereo Records DR2007
1972

From the  back cover: A Pisces blessed with enormous dedication and drive, Les Brown grew up in Reinerton, Pa., where his father worked as a baker who moonlighted as a music teacher and band conductor. Les learned music by playing his dad's little soprano sax.

Everyone by now knows of young Les''s achievements while he was attending Duke University in the 1930's. His Duke Blue Devils dance orchestra became so regionally prominent in America's South that they were recorded by mighty RCA for its Bluebird Table. But few are aware that even before his Duke triumps, Les attended the Conservatory of Music in Ithaca, N.Y., where he studied and perfected the fundamentals leading to his enviable arranging and conducting skills.

Eventually, because they were college kids who had prepared for vocations in fields unrelated to music, the Devils disbanded. Les then made New York City his headquarters and prospered, cleffing arrangements for the "big name" bands of Larry Clinton, Isham Jones and others.

In 1938, Les tried again as a leader. It was the era of Benny Goodman, Artie Shaw, Jimmy and Tommy Dorsey, Jimmie Lunceford, Count Basie and Duke Ellington. Nothing came easy for the fledgling Brown band. Vital radio broadcasts and lucrative gigs in the nation's theaters, ballrooms and hotels were, for a couple of distressing, lean years, hard to come by. But eventually Brown's musicianship paid off.

His records on Decca and Columiba began to move up to the charts. His blonde vocalist, Doris Day, a frustrated dancer, helped the band attract attention and national popularity. The World War II period brought a smash in "Sentimental Journey" which, oddly, was contributed by one of Brown's sidemen, Ben Homer.

It was '47 that Les began his association with Bob Hope. They still work together nearly a quarter of a century later. Brown and his band have toured the world many times with the ski-nosed comic, repeatedly playing for U.S. servicemen in Korea and, more recently, Vietnam. The "Band of Renown" was long featured on Steve Allen's NBC and ABC television series, and since 1965 Les has worked as musical director of Dean Martin's program on NBC-TV. – Noted by Pepper Prothro

From Billboard - February 5, 1972: Top mood package is this debut by bandleader Les Brown on the Daybreak (RCA) label. Effectively the Jack Halloran Singers and intertwined between lush strings, arrangements of the them from "Kotch," as well as recent pop hits such as "I Feel The Earth Move," "Didn't We," "Something" and "Michelle." Another standout is the swinging big band reading of "Superstar."

Life Is What You Make It
Something
I Feel The Earth Move
All His Children 
Hello Forever
Didn't We
Superstar
This Way, Mary
Michelle
Love Is Good For Everyone
Wave

Monday, September 5, 2022

Rio At Midnight - Dante Varela

 

Rio At Midnight

Rio At Midnight
Dante Varela and His Orchestra
Decca DL 8334
1957

One of Decca's 1957 "At Midnight" series of LPs which included the sets: Manhattan, Paris, New Orleans, Rome, Hollywood and London At Midnight.

Amor
Quizás, Quizás, Quizás (Perhaps, Perhaps, Perhaps)
Baia (No Baixa Do Sapateiro)
The Romantic Cha Cha Cha
The Peanut Vendor (El Manisero)
Noche De Ronda
Baa-Too-Kee
Adios
Misirlou
El Coco
Come Closer To Me (Acercate Mas)
Estrellita 
La Paloma
Cavaquinho (Cava-Keen-Yo)

The Sounds Of Spain - Adventures In Sound

La Luna Enamora

The Sounds Of Spain
Adventures In Sound
Photo by Ormond Gigli
Columbia WL 110
1958

Mi Jardinera - Imperio de Triana with Orchestra
Temas De Mi Aragon - Rondalla de la "Casa de Aragon de Madrid, conducted by A. L. Merinero
Jotas De Picadillo - Ascension Herrero and Angel Burgos with Rondalla de la "Casa de Aragon" de Madrid
Margarita - Coro de estudiantes
Ole Mi Bailaora - Aquilino de la Rosa - Guitarist
Tientos De Punto Y Coma - Imperio de Triana with A. Arenas and R. Reguera - Guitarists 
Madrid - Antonio Apruzzesse - Organillo
Pandeirada De Igresia Fetta - Coros gallegos "Rosalia de Castro" de Madrid, conducted by D. Bravo
La Luna Enamora - Los 4 de Ruff
Carrascoasa - Cuando La Aurora - Clavelitos - Estudiantina de Madrid
A La Rueda Mi Carino - Aquilino de la Rose - Guitarist
Ria's Baixas and Rueda De Allariz - Imperio de Triana, with A. Arenas and R. Reguera - Guitarists
Jotas De Estilo - Ascenion Herrero y Angel Burgos with the Rondalla de la "Casa de Aragon" de Madrid
Seguidillas De Lecinena - Cuadros de jotas de la "Casa de Aragon" de Madrid with rondalla, conducted by A. L. Merinero

Percussion With Harmonica - Frank Gem

 

Cirbirbin 

Percussion With Harmonica
Featuring Frank Gem
Hurrah Records H-1007
Pickwick International

Old Devil Moon
In The Still Of The Night
Espana
Slaughter On 10th Avenue 
Yellow Rose Of Texas
Wish You Were Here
Cheyenne 
Cirbirbin
Nellie Blye
La Paloma