My Kind Of Waltztime - Ethel Ennis

Paradise

My Kind Of Waltztime
Ethel Ennis
Arranged and Conducted by Dick Hyman (Courtesy of Command Records)
Produced by Andy Wiswell
Recorded in RCA Victor's Studio A, New York City
Recording Engineer: Mickey Crofford
RCA Victor LSP-2986
1965

From Billboard - April 17, 1965: Ethel Ennis's vocal prowess on the waltz mood is effectively put in focus here. She knows how to set up a mood that stays warm and winning through a repertoire that includes a standard like "The Song Is Ended" and a comparative newcomer like "Coloring Book."

Oh, What A Beautiful Mornin'
The Petite Waltz
Some Day My Prince Will Come
Remember
Paradise
It's A Grand Night For Singing
Far Away Places
Till We Meet Again
My Coloring Book
Falling In Love With Love
I'll Always Be In Love With You
The Song Is Ended (But The Melody Lingers On)

Berlioz Symphonie Fantastique - Monteux Vienna Philharmonic

Berlioz Symphonie Fantastique
Monteux Vienna Philharmonic
Recorded in Vienna
RCA Victor Red Seal LSC-2362
1960

From the back cover: Born, raised, and trained in Paris, Pierre Monteux won his reputation as the "creator" of music by Stravinsky, Debussy, Ravel and Prokofieff in the heady days, just before the outbreak of the First World War, when Paris was the musical capital of the world. Since that time, it has also become apparent that he is the world's foremost interpreter of the French classics and romantics.

In his years as permanent conductor of the Boston Symphony, the San Francisco Symphony, the Amsterdam Concertgebouw Orchestra, and the Symphony Orchestra of Paris (which he founded), his advocacy of the great French composers was as staunch as it was authoritative; he has, in fact, been one of the leading figures in the Berlioz revival which has been so signal a feature of the world's musical life in recent decades.

Today, at an astoundingly vigorous 84, Monteux's activities are not limited to any one city, country, or continent. He was the first French conductor to win a following in the German-speaking countries after World War II, and in recording the Symphony Fantastique with the Vienna Philharmonic, he follows a trail blazed by Berlioz himself, for Berlioz repeatedly visited Vienna, Berlin, and the other German-speaking music centers as interpreter of his own works. – Notes by Alfred Frankenstein

Symphonie Fantastique, Op. 14 

Reveries; Passions
A Ball

Scenes In The Country (Part 1)
Scenes In The Country (Concl.)
March To The Scaffold
Dream Of A Witches' Sabbath