Howdy Folks! Check out my Atomic Age Vinyl Finds! If there are copyright issues or a problem with any post, just contact me and I will make corrections. I'm here to have fun and hope you will share in my process of discovery!
Percussion In Velvet
Westminster WST 15046
This is a terrific album featuring colorful cover art. I believe that I blogged the shorter track from side one, The Japanese Temple in this post: Nothing But Percussion Vol. 2. Side one from this album was reproduced on that record.
So I'll feature, as my sample track, an outstanding tune from side two. Enjoy!
The Torch Is Burning
The Poetic Voice Of Franklyn MacCormack
With Russ Garcia And His Orchestra
Liberty LRP 3086
If you were expecting to hear this lovely cover model sing... that's not gonna happen. This is a fun oddball recording featuring long time Chicago radio personality Franklyn MacCormack. All of the songs are instrumentals over which MacCormack reads the lyrics.
I believe this is the only album MacCormack made. I'll include the notes from the back cover as MacCormack's wiki page doesn't contain some of the info.
For over twenty years Franklyn MacCormack's poetry has been featured on all four major radio networks. Outstanding were such programs as "Poetic Melodies", "Nocturne, The Readings of Franklyn MacCormack", "Shades of Blue", "Memories of You" and others, known from coast to coast. An indication of his tremendous appeal to people in all walks of life was his average mail – from ten to fifteen thousand letters a month.
Born in Waterloo, Iowa, one of five children, Franklyn forsook a college education for the theater. His association with Wayne King, one of the great band leaders of the early days of radio, lasted for twelve years. During this time he recorded his famous "Melody of Love" with the Waltz King, which has sold over two million copies to date.
Mr. MacCormack was a member of the WBBM radio staff in Chicago from 1932 until 1939. He free-lanced until his return toWBBM-TV in 1954.
Whether you know him for his radio and television shows, recordings or motion pictures, we are sure you will be pleased that we have brought Franklyn MacCormack into your home again, with all the poetry, nostalgia and passion for which his voice is so famous.
Russ Garcia would go on to make one of my favorite albums on Liberty in 1959 titled Fantastica.
Taboo The Exotic Sounds Of Arthur Lyman Arrangements by Arthur Lyman and Paul Conrad Cover Photo by Werner Story HIFI Record R806 1958
Available from online vendors so I will not be posting a sample. Presented here to share the cover art.
Highly recommended exotica set followed a year and a number of albums later by Taboo Vol. 2.
From the back cover: The sounds of Authur Lyman recorded in Henry J. Kaiser's Aluminum Dome, outside the Hawaiian Village Hotel in Honolulu, contrasted the native and the modern. The group, their instruments of sound, and their music, are native, pulsatingly primitive, often eerie. The Aluminum Dome is unmistakably modern, the product of 20th Century construction genius. Arthur Lyman plays vibes, marimba, and percussions of all kinds, having learned from his Hawaiian father since age 6. John Kramer plays bass, ukulele, guitar, flute, clarinet and percussions. Alan Soares is pianist, plays celeste, guitar and percussions. Harold Chang is a percussion virtuosos and plays xylophone. The bird sounds heard are from actual birds, with some imitative bird calls by Lyman and Kramer. Arthur Lyman's group entertains enthusiastic listeners in the Tiara Room at the Hawaiian Village Hotel where they now appear nightly.
Kaiser's Aluminum Dome is a half sphere, seating about 1,500 persons is used for live entertainment and movie showings. Its ingenious simplicity of structural design and ideal sound form suggest its wider use for low cost auditoriums of pleasing space-age appearance. We chose this place for our recording because the half sphere shape has no "peaks" and allows a pleasing "easy" sound reproduction with natural room acoustical reverberation. As you listen you will hear the unique effects produced by moving percussions, giving a certain sound perspective with intrigues. Oh, yes, the ocean sounds heard are real. Pacific salt waves. Native cries are, well, weird but real.
Also from the back cover: Perfect sound reproduction was achieved with 3 AKG Austrian microphones, a custom built Ampex 3-track 1/2" magnetic tape stereographic recorder, and later painstaking processing, using a scully automatically variable pitch lathe with the latest Wetrex cutting head to make the master disc.
From Billboard - March 17, 1958: A hit of several high fidelity shows, this package is must material for sound afficionados. Arthur Lyman's exotic sounds, bongos, timbale, Chinese gong, conch shell, wood blocks etc. make this a masterpiece of engineering skill and top musicianship. Music is essentially Hawaiian-Polynesian. The sounds generate an aura of being there. Will sell on first hearing
Taboo Kalua Ringo Oiwake Sea Breeze Misirlou China Clipper Sim Sim Katsumi Love Theme Caravan Akaka Falls Dahil Sayo Hilo March
Cha Cha Cha
Art Mooney And His Big Band
Coronet Records CXS 138
Who's Sorry Now
I Let A Song Out Of My Heart
Hands Across The Table
Shine On Harvest Moon
Chi Chi Castenato
In The Shade Of The Old Apple Tree
Cha Cha Cha
Promenade Records 2218
From the back cover: Art Mooney was born in Lowell, Massachusetts. However, his family soon moved to Detroit where Art grew up. His father was a member of the police force there and Art Mooney went to a technical high school in Detroit to study to become a linotype operator. He took to the saxophone immediately and soon got a group of his high school friends together and started a band. This group played all the local school dances around the city.
After graduation, Art Mooney gave up the idea of music and pursued his career as a linotype operator. However, he wasn't on the job very long when he started to dabble in music in his spare time. Soon Art got odd jobs playing his sax at night with local bands and he began to love it and started thinking about a band of his own. He got his first opportunity when, as a linotype operator, he was to set up an ad announcing the engagement of one of the top bands of the time; instead Art Mooney inserted his own name and, although he was fired from the job, he felt it was a good break for him because it gave him a chance to try his luck in the music world. He formed a band and started on the road but soon was drafted in the Army.
For three and a half years Art Mooney conducted the Miami Beach Air Corps band and when he was released from service he had already made a name for himself through his record hits of "Roll Out The Barrel" and "I've Been Working On The Railroad." He then organized a band and was waiting for the big chance when he finally got a two week engagement at the New York's Lincoln and Edison Hotels; the engagement extended itself for eight months. From this date, Art won a radio network contract and his future was made.
Cha Cha Cha
Diplomat Records FM 45
Cha Cha Cha With Art Mooney Bandleader Series Vol. 2 Spinorama MK 3079
The Broadway Theater Orchestra
Premier Albums 1003
Weird and obscure budget album. Weird, because there is no rhyme nor reason for the blend of styles featured. Check out the lounge version of The Impossible Dream. Wow! They pressed whatever they had on the shelf.
Performed on the Lowrey Organ
Originated and Produced by Enoch Light
Art Director Charles E. Murphy
Command Records RS 33-875
Fiddler On The Roof
Who Can I Turn To (When Nobody Needs Me)
Under Paris Skies
Love Me Do
It Kinda Makes Yuh Wonder
How Dry I Am
Deep In My Heart Dear
Nice 'N' Easy
Some Day My Prince Will Come
That's A Plenty
Ramon Marquez And His Orchestra
International Records LP 5065
Some of the tunes from this album may or may not be available online. The name of the albums the available tunes are said to come from don't match up with this LP. Nice jacket graphic. The music is a somewhat tame by comparison.
Popular Science Test Record
To Set Up/Calibrate/Check Out Quadraphonic System
Total Sound PR401 SQ
Popular Science Magazine promotion produced by Enoch Light and Jess Hest. Side one of this record features a variety of "tests". Jumped to side two and listen to the music. All I can say is that all "stereo" records should sound this good! Light's engineering was always superb! The sound is amazing.
He (She) Dance With Me - Waltz theme from The Slipper And The Rose
The Birchwood Pops Orchestra
Wow... Pickwick produced some fun stuff for a budget label. Most of what you may have collected from Pickwick probably doesn't surprise all that much. However this Pickwick LP is unique somehow.
The first two tracks, Evergreen, from A Star Is Born and Car Wash include vocals (hard to believe stuff). But then the album shifts gears and goes into the trippy waltz (that I've posted above). Gonna Fly Now, the theme from Rocky is a cheese synth number which is sandwiched between other more straight forward orchestrated numbers that are nice light pop mood setting tracks.
The engineering is some of the best I've heard from Pickwick.