Airegin
In The Beginning
Hubert Laws
Produced by Creed Taylor
Cover Photograph by Pete Turner
Liner Photograph by Duane Michels
Album Design by Sibbie McDonough
Recorded at Van Gelder Studios
Engineer: Rudy Van Gelder
Recorded February, 1974
CTI Records CTX 3+3
1974
Flute - Hubert Laws
Bass - Ron Carter
Drums - Steve Gadd
Percussion - Airto & Dave Friedman (vibes)
Guitar - Gene Bertoncini
Keyboard - Clare Fischer (piano on Mean Lane and electric piano on In The Beginning)
Rodgers Grant (Piano on Mean Lane)
Bob James (all piano and electric piano solos except In The Beginning)
Richard Tee (organ on Come Ye Disconsolate)
Tenor Saxophone - Ronnie Laws
Violin - David Nadien
Viola - Emanuel Vardi
Cello - George Ricci
From Billboard - May 4, 1974: Mellowness and gentle rolling lines highlight Law's flute work. This is another in the series of small studio groups which Creed Taylor puts together. Laws, the most noted of the new flutists, gets a chance to go to church once in a real down home but gentle mood ("Come Ye Disconsolate"). But when drummer Steve Gadd goes into a furious pattern using brushes, Laws matches the fiery tempo on "Airegin." This LP is a straight blowing date with side one of the two disk set opening with a fast 4/4. Bob James, who plays beautiful electric piano throughout, is joined on keyboards on a Lantinish "Mean Lane" by Carl Fischer and Rodgers Grant. Best cuts: "Mean Lane," "Come Ye Disconsolate." Dealers: Stock in small jazz groups but keep clearly in sight.
In The Beginning
Restoration
Gymnopedie #1
Come Ye Disconsolate
Airegin
Moment's Notice
Reconciliation
Mean Lene
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