Nao Tenho Lagrimas
Perfect For Dancing
Sambas
Produced and prepared under the direction of the Fred Astaire Dance Studios
Cover Photograph by David Hecht
RCA Victor LPM-1073
1955
From the back cover: Although the samba was introduced into the United States during the dance's tender years, it was temporarily regulated to a back seat by the popularity of the rumba. Here, it was at first considered more of a production number for professionals – Irene and Vernon Castle had featured it as the Maxie and it rapidly became one of their most requested numbers. It was not until the mid-thirties, when a Brazilian bombshell named Carmen Miranda burst explosively upon the American scene, that the country became truly samba-conscious. Miss Miranda's inescapable enthusiasm and obvious talent suddenly revealed the full potential of this wonderful dance – one by no means limited to professionals like herself, but easily available to all who enjoy an infection rhythm and a never-to-be-forgotten evening on the dance floor.
Brazil - Fala Lemos and His Orchestra
Nos Tres - Fala Lemos and His Orchestra
Madalena - Fala Lemos and His Orchestra
Samba Lele - Carlos Galhardo with Orchestra
Ola Seu Nicolau - Carlos Galhardo with Orchestra
Alma de um Povo - Odette Amaral with Carioca Swingtette
Nao Tenho Lagrimas - Patricia Teixeira with Orchestra
Sabia Larangeira - Zaccarias and His Orchestra
Clarinet Samba - Jose Curbelo and His Orchestra
Boogie Woogie Na Favela - Jose Curbelo and His Orchestra
Montevideo - Noro Morales and His Orchestra
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