Stranger At The Funeral
A Mann Named Lorene
Lorene Mann
Recorded in RCA's "Nashville Sound" Studio, Nashville, Tennessee
Recording Engineers: Bill Bandevort, Tom Pick, Jim Malloy and Chuck Selta
Recording Technicians: Les Ladd and Milton Henderson
Cover Photo: Bill Grine
RCA Victor STEREO LSP-4243
1969
From the back cover: If Lorene Mann had stayed in Huntland, Tennessee, married her childhood sweetheart and given up "those silly notions" of writing songs and wanting to be a recording star, you might not be holding the album in your hand. You might not be hearing the many single recordings of Lorene's songs that country DJs and others play daily. But Lorene had a dream, and I had a front-row seat at its premiere.
I met Lorene when she first came to Nashville, when she was just forming a new circle of friends in the music capitol. What I didn't know then was that Lorene is a regular powerhouse when it comes to music.
She sang for us one night backstage at the Opry House, and we were entranced with the simple sincerity of her songs and her sweet, down-home manner of singing. I'm happy the RCA people recognized her talent, too, for the little song So I Could Be Your Friend, here included, was the song that turned the trick for Lorene's climb to success. Like constructing a building stone-by-stone, song-by-song Lorene built a name for herself. One Of Them and Stranger At The Funeral followed. Later, the duet with Justin Tubb, Hurry, Mr. Peters, led to an album entitled Together And Alone, a collection of duets with Justin and solos by both.
Color Him Father
Daddy Sang Bass
Stand By Your Man
All I Have To Offer You (Is Me)
Stranger At The Funeral
You Used To Call Me Baby
Tell It All
Don't Put Your Hands On Me
So I Could Be Your Friend
One Of Them
Stay Out Of My Dreams
No comments:
Post a Comment
Howdy! Thanks for leaving your thoughts!