Bim Bam Bum
Dance With Xavier Cugat
Xavier Cugat
Columbia CL 537
1953
From the back cover: Born in Spain, Cugat moved with his family to Cuba as a youngster, and studied the violin with great acumen. After several important engagements with local orchestras, he came to the United States and went on tour as an assisting artist with Enrico Caruso. Then, suddenly deciding music was not for him, he became a cartoonist on a Los Angeles newspaper, developing the style that is even today one of the most trenchant and recognizable around. But even the lively atmosphere of a newspaper office could not keep the irrepressible Cugat contented, and her returned to music on a somewhat different level. He organized a small group of instrumentalists with the modest intention of supplying relief music for regular orchestras. His success, however, was even more modest then his intention, and several lean years followed. Then, suddenly, people began to learn the dances he was playing, to become fascinated by the orchestration, by the exotic rhythms, and the Cugat bandwagon was under way. For years his orchestra was a fixture at the Waldorf-Astoria in New York, his records were best-sellers, he appeared on the radio, in theaters and in the movies. As each successive dance came along – the rhumba, the conga, the samba, the mambo – he helped in pioneering its acceptance, and became one of the most successful maestros in the business.
Rhumba: Oye Negra
Tango: El Choclo
Conga: Cuba Libre
Beguine: Begin The Beguine
Mambo: El Barijuano
Paso-doble: Touradas en Madrid
Afro-Cuban: Babalu - Vocals by Miguelito Valdez
Guaracha: Bim Bam Bum
Bolero: Nightingale
Samba: Good, Good, Good
Habanera: I'll Never Love Again - Vocals by Dinah Shore
Mexican Hat Dance: Jarabe Tapatio