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Saturday, November 28, 2015

Mellow - Las Suavitas Guitars

Latin Love Song
Mellow
Las Suavitas Guitars
Compose Records S 98014

From the back cover: This is their first album release in the United States, but they have been extremely popular throughout the Latin American countries for several years.

Sweet, clean and super easy on the ears Latin flavored guitar set

Amor
Melody Of Love
Marta
Anytime
There Goes My Heart
I Love You Truly
Dear Heart
Frenesi
Adios Mariquita Linda
Perfidia
You Belong To My Heart
Isle Of Capri
Maria Elena
Arrivederci Roma
Tabu
Noche De Ronda
Latin Love Song
What A Difference A Day Made
Prisonero Del Lamar
Estrelita
Incertedumbre
Fichas Negras

He Loves Me, He Loves Me Not - Chris Connor

He Loves Me, He Loves Me Not
Chris Connor
Atlantic 1240
1956

Available from your usual online vendors so I will not be posting a sample.

From the back cover: Until now, Chris has customarily been heard in a jazz environment, accompanied by small jazz groups. This time she turns frankly sentimental. Her accompaniment is a large orchestra made up of strings, woodwinds, reeds and rhythm, conducted by Ralph Burns who also wrote the arrangements. Burns, of course, is a highly knowledgeable jazzman, one of the most important factors in the success of Woody Herman's band during the past ten years. But he is also a uniquely skillful arranger for vocalists, jazz or otherwise. So it is only natural if, even though these selections are set in a romantic mood rather than a jazz mood, some reflections of jazz creep through when the talents of both Burns and Chris Connor are combined.
Yup, both Burns and Connor nailed it. This is an excellent mid-50s vocal set that isn't, in the least, dulled by the thematic selection of "romantic mood" numbers.

High On A Windy HillRound About
Angel Eyes
You Stepped Out Of A Dream
Why Can't I
Suddenly It's Spring
About The Blues
Oh! You Crazy Moon
But Not For Me
I Guess I Hang My Tears Out To Dry
I Wonder What Bacame Of Me
Thursday Child

Cha-Cha-Cha - Ralph Font

Fascination
Cha-Cha-Cha
Ralph Font And His Orchestra
Westminster WST 15042
1959

From the back cover: According to Walter Winchell, Ralph Font has "one of the best Latin outfits in town," and Variety calls the Font Orchestra "a smooth dance combo that is always easy to follow." Thousands have danced to the music of Ralph Font in many of the best night spots from New York to Florida) currently the Chateau Madrid in New York) and millions more have heard the orchestra on Font's own Fiesta Americana show on the Dumont TV network or as a frequent guest on Ed Sullivan's show. One and all they agree that Ralph Font and his boys are the best there is with Latin-American rhythms, and that the Font beat makes even the least-Latin gringo feel that he is south of the border.

Also see Longhair Goes Cha Cha

Three-Penny Opera
Third Man Theme
Ja-Da Wants To Cha-Cha-Cha
Makin' Whoopee
Fascination
La Vie En Rose
C'est Si Bon
Orchids In The Moonlight
Lady Be Good
Hallelujah
Moulin Rouge
Carioca

Tuesday, November 24, 2015

A Touch Of Latin - Mr. Acker Bilk

Perhaps, Perhaps, Perhaps
A Touch Of Latin
Mr. Acker Bilk With The Leon Young String Chorale
Atco 33-168
1964

From Billboard - August 1, 1964: The smooth tenor clarinet stylings of Acker Bilk are devoted this time around to such Latin melodies as "Estrellita," "Frenesi,""La Paloma" and others. Lush strings offer background. Easy and beautiful listening all the way.

Maria Elena
La Paloma
Frenesi
Lonely Senorita
Adios Mi Chaparita
Bossa Luna
Bustamento
Habanera
Perhaps Perhaps Perhaps
Adios Marquita Linda
Estrellita
Pancho's Love Song

Monday, November 23, 2015

The 50th State - Charles Bud Dant

Maui Island Chant
The 50th State
Charles Bud Dant And His Orchestra
Coral CRL 57270
1959

From the back cover: Charles Bud Dant is a talented conductor-composer-arrange who has written, orchestrated and performed the music for radio and TV shows such as "Comedy Hour," "Meet Corliss Archer" and "The Dennis Day Show"; he has been musical director for NBC in Hollywood, and arranger for many top orchestras. Listen now, as Mr. Dant and his orchestra brilliantly and authentically interpret this outstanding collection of island favorites.

From Billboard - August 10, 1959: Familiar Hawaiian tunes with a couple of new novelties pegged to the entry of the island group into the Union ("The Fiftieth State," "Hawaii is the 50th Star"). These are choral arrangements and very satisfying. Could attract customers who dig Hawaiian.

I hear a number of space age gimmicks, both choral and instrumental, that will be used on super light pop arrangements through out the 60s. Those tracks do not, however, work all that well in support of the more classic 50s cover art Coral selected to help market this project. I've picked one of several tracks, by way of example that is very much different in tone from the rest of the set. This tune does support the "exotic" vibe of the cover.

The Fifth State
Forevermore
Island Medley
A Song Of Old Hawaii
Keep Your Eyes On The Hands
Maui Island Chant
Song Of The Islands
Hawaii Is The 50th Star
Sweet Hawaiian Medley
Cocoanut Grove
My Little Grass Shack In Kealakekua, Hawaii
Ua Like No A Like
Hawaiian Wedding Song

Sunday, November 22, 2015

Blues In The Night - Morton Gould

Sophisticated Lady
Blues In The Night
Morton Gould
Arrangements by Morton Gould
RCA Victor Red Seal
LSC-2104
1960

Likely one of Gould's better mood music "theme" sets which plays through somewhat like a soundtrack. Gould's arranging, generally conservative for his time (especially for the release date of 1960), slips between the soft and dramatic to his more typical big band approach, more often then not, during the same song. The mix may not suit all, but the total sonic trip is a solid one to my ears.

From the back cover: The fantasies, which, Mr. Gould remarks, develop from the periphery of the blues, are improvisatory in feeling but written down on score paper as precisely as if they were a four-movement symphony in G-flat minor, in which key none of these is – or many symphonies, for that matter.

Even the electronic devices and techniques are part of the scores which Mr. Gould has prepared. This then, is an amalgamation of individual inspiration and electric wizardry, but the free-jazz factor underlies Mr. Gould's writing. It does so because many of these men, who are experienced and resourceful in playing the symphonic repertory, are accomplished jazz artists also. They can bring to the performance of music on paper not only the surety of expert symphonic readers and stylists, but the necessary waywardness of the popular improviser. They can "play strict and keep loose," as the early-nineteenth-century conductors used to say to their bands, if this has been reduced to English correctly.


Blues In The Night
Birth Of The Blues
Solitude
Old Devil Moon
Moonglow
Limehouse Blues
Mood Indigo
St. Louis Blues
Sophisticated Lady
Big City Blue
Deep Purple

Sentimental Me - Ken Griffin

Ting A Ling
Sentimental Me
Ken Griffin
Rondo-lette A17
1958

Budget organ set which is collectible perhaps only for the sweet cover photo of the late 50s model featuring a "vampire-like" stare. Strangely… from the back cover, Griffin is also giving us a taste of The Transylvania Trance.

Sentimental Me
My Blue Heaven
Souvenir Waltz
Miller's Daughter
Beautiful Wisconsin
You, You, You Are The One
Five Foot Two
Ting A Ling
Skater's Waltz
Take Me Out To The Ball Game
Tiger Rag

Songs Of Safety Manners Health - Frank Luther

Songs Of Safety
Manners Can Be Fun
Health Can Be Fun
Frank Luther
Song-Stories With Orchestra And Sound Effects
Vocalion VL 73683
1963

Lionel - Lionel Hampton And Orchestra

Stardust
Lionel
Plays Drums, Vibes, Piano
Lionel Hampton And Orchestra
Audio Fidelity
AFSD 5849
1958

I agree with Billboard's assessment. The entire set is excellent, but the "smooth" tracks are standout in my opinion.

From the back cover: Lionel Hampton has lived a world dominated by music for most of his life. He was born in Louisville, Kentucky, in 1913, and later moved to Birmingham, Ala., and then Chicago, where he began his musical career. His first achievement in this area was playing the big drum in the children's band of the Chicago Defender, a newspaper. It wasn't long before he was holding forth on drums with small jazz bands in the Windy City. In 1928 he went to California, where he got some instructions in piano from Teddy Weatherford, a leading keyboard exponent. On the West Coast he played in various bands, including that of Paul Howard. He was a member of the Les Hite Band when Louis Armstrong took it over in 1930. Although Hampton made several recordings with the Armstrong organization playing both vibes and drums, it was not until 1934, when he formed his own band at Sebastian's Cotton Club, in Los Angeles, that he worked seriously on the vibes and became a real specialist on the instrument. Two years later, Benny Goodman heard him and made several disks with him. Goodman also hired Hampton for his trio, making it a quartet, along with Teddy Wilsion and Gene Krupa. Hampton remained with Goodman from 1936 to 1940, and then left to form his own big band. Since that time his orchestra has enjoyed increasing popularity as one of the outstanding jazz organizations in the country.

From Billboard - March 31, 1958: Set can appeal to both pop and jazz fans. Hampton presents an attractive variety of standards with his usual smoothness. Virtuosity is displayed to greatest effect on such fare as "Lullaby Of Birdland" "The Man I Love" and "Stardust." Sound is excellent.

Just One Of Those THings
Lazy Thoughts
The Man I Love
One Step From Heaven
Darn That Dream
Stardust
Tracking Problem
Lullaby Of Birdland
Blues For Stephen
And The Angels Sing
Our Love I Here To Stay
I Know That You Know