Howdy Folks! Check out my Atomic Age Vinyl Finds! If there are copyright issues or a problem with any post, just contact me and I will make corrections. I'm here to have fun and hope you will share in my process of discovery!
The Johnny Hamlin Quintet
Featuring Marci Miller
Argo LP 4001
Recorded in June 1960, at Ter-Mar Recording Studios, Chicago.
Personnel: Johnny Hamlin, accordion and piano; Art Mooshagian, trumpet and trombone; Charlie McFadden, tenor and baritone saxophones and flut; Bob Saravia, bass; Gary Frommer, drums.
Cover: Don Bronstein
Engineer: Ron Malo
Supervision: Jack Tracy
From the back cover: I first heard Johnny Hamlin about eight years ago when he was playing a gig at the Pla-Bowl, a night spot way south of Chicago's Loop. The Pla-Bowl was the place where Stan Kenton discovered the Four Freshmen, and was always a nice booking for small, integrated groups who appealed to young moderns. I'll always remember Johnny's first album for some small midwest company which was cut, of all places, in a bowling alley in Des Plaines! Some engineer had boasted of the acoustics in the lanes, and the session had come off quite well. Of course, the recording started after the last bowling fanatic and pinsetter had left for the night. – Mike Rapchak - Station WCFL, Chicago
Just Squeeze Me
Don't Worry 'Bout Me
I'm Shooting High
All Of You
Serenade In Blue
Why Was I Born
Strike Up The Band
And So To Sleep
The Music Of Harry Revel
Arranged and Conducted by Hugo Peretti
Mercury Records 20179
From the back cover: The song, Voices In The Night, features the soothing solo voice of June Winters. Phil Bodner plays the moving clarinet solo on While The City Sleeps, and the Whistling Of Dawn comes from the puckered lips of Dick Kuhn.
Solid "concept-mood" set. I think the copy I found came from a disco jockey's collection. The DJ made notations on the back to help him remember certain aspects of the set including "mood music" and "good sound - a la David Rose". The DJ also thought the tracks titled "Counting Sheep" and "The Milkman Cometh" were "out of place".
While The City Sleeps
Smoke Another Cigarette
Voice In The Night
Girl On My Mind
Whistling At Dawn
The Milkman Cometh
And So To Sleep
Henri Rene´ and his Orchestra
IR Imperial LP 12021
From the back cover: So there's your title (White Heat). It has many diversified meanings as definitions in the dictionary and probably will mean as many things to as many different people. If you get the message, slip your manicured finger or tattooed hand, whichever the case may be, along the protective, germ-free cellophane cover-all. It's as simple as opening a pack of filter tips… and less controversial. Try it. – Henri Rene´
From Billboard - June 15, 1959: Henry Rene has put together a very bright package of instrumentals here. Instrumentation and arrangements are most unusual, being modern, creative; and packed with style.
A bridge between the more "exotic" albums that were hitting the market at the time and big band mood. Like many of Jackie Gleason's excellent albums, this set looks and sounds like a concept project rather than just a collection of tunes.
Isn't It Romantic
Lullaby Of Birdland
I'm Forever Blowing Bubbles
I Know That You Know
With Orchestra Conducted By Warren Barker
Warner Bros. Records 1214
From Billboard - October 20, 1958: An exciting harmonica virtuosos, Tommy Morgan, combines talents with maestro Warren Barker to capture the color and mood of the South Seas. Interesting instrumental wax.
From the back cover: All the harmonica arrangements were personally written by Tommy Morgan, with maestro Warren Barker contributing the exciting orchestral background, which at times blend and at other occasions seem to create a pattern of their own.
As the tile suggests, music with a tropical theme has been selected for this album, and yet there is a remarkable variety to the program. Selections range from hits of the Broadway stage to music from motion pictures, Latin rhythms and an unusual Japanese tune, "The Beach." The song from Nippon was picked up when Morgan was called upon for a Command Performance before the Empress and Royal Family in Tokyo. He sought a popular tune of that region to add to his repertory and to play for the Empress.
While serving a long engagement with Uncle Sam's Air Force Band, Morgan played several other Command Performances, including the King and Queen of Cambodia; the Shah and Empress of Iran, and for Syngman Rhee, President of the Republic of Korea. For his outstanding work as a musical ambassador in these countries, Mr. Morgan's Name has been entered in the Congressional Record.
Dance maestro Freddy Martin claims Tommy Morgan as his discovery back in 1950 and featured the harmonica virtuoso on his weekly television show from the famed Hollywood Palladium. This engagement led to assignments at motion pictures studios where his talent was employed on musical soundtracks. He has employed this experience and his excellent musical background to develop a sound unique in the conception of the harmonica and its presentation. At times he uses the harmonica in block harmony with the other instruments, such as in "Taboo," and at other times as a haunting obligate.
At present, Mr. Morgan has postponed his proposed European tour and has enrolled at his alma mater, University of California at Los Angeles, where he is studying for his Master's Degree in Music.
Moon of Manakoora
Beyond The Reef
The High And The Mighty
Luna Rossa Tango Chitarra Romana No Dimentica Marechiari – Funiculi-Funicula Anima E Core Tarantella La Piccinina Torna A Sorrento Reginella Campangnola Santa Lucia – O Sole Mio Fiore D' Italia Arrivederci Roma