Meditation
Spice With Brasil
Nancy Ames
Highlighted by the Guitar Artistry of Laurindo Almeida (courtesy of Capitol Records)
Arranged and Produced by Stu Phillips
Cover Painting: Sid Maurer
Cover Design: Michael Mendel
Epic LN 24238 & BN 26238
1967
From the back cover: IN THE jungles of American music, the Brazilian (Bossa Nova) revolution has flared and smoldered off and on for several years, and recently, new developments along the Brazilian frontier have again stirred up national interest. In the past, the Brazilian force has made substantial, though somewhat sporadic, hits in the top-40 areas, but a new movement seems to have gathered additional followers, weapons, means and ability to strike hard in the realms of popularity.
The established leaders of the Brazilian force are seeking to form new alliances with other kinds of music to further strengthen the already formidable and compelling sounds of the Brazilian style.
In this latest report, Miss Nancy Ames, a veteran of several albums, most notably the Latin Pulse campaign, has not only furthered the cause of the Brazilian expression, but has also established herself as a true leader in the cause.
Aided by the brilliant guitar maneuvers of Generalissimo Laurindo Almeida and a small, outstanding band of musicians, and guided by the strategic arranging and conducting of Stu Phillips, Miss Ames has succeeded in making ten successful raids on music to establish ten strongholds for your enjoyment.
She and her band brought new supplies and support to the exhausted numbers of "Meditation" and "So Nice." In "Reza" and "Mas Que Nada," two hotspots along the Brazilian front, her forces established them permanently as munition sources for future en- counters.
In a frontline interview with Miss Ames, she reportedly said: "I'm looking for 'Someone to Light Up My Life" as a part of my endeavors. It has never been voiced to my knowledge, and I think it is an important issue." Shortly thereafter it bore her banner, and then, hearing of concentrated action around the title song from the film A Man and a Woman, Miss Ames sashayed in quietly one night to capture it beautifully.
Even though her record, as it stood, was one to be proud of, she enlisted to undertake more difficult tasks. Vast uncertainties lay ahead, for she elected to invade several areas of music that could possibly resist and defeat a Brazilian exposition.
In the camp of "Love's Like Wine," she parlayed until she had convinced the song that it would best achieve its aims with Miss Ames. In the songs "Cherish" and "I Feel Fine," after much de- liberation, they surrendered to her unconditionally. Nancy then reached out for "Reach Out I'll Be There" and out reached any of the existing attempts made on this far out region.
In a final interview with Miss Ames she said: "I love the Brazilian movement, and I have done my best to serve it well, but I could not have done it alone. I owe a great debt of gratitude to the many that have helped me." When asked if she had received any injuries in these coups, she replied: "Of course, all of these songs knocked me out."
Pow, Pow, Pow (Mas Que Nada)
Love's Like Wine
Cherish
Laia La Daia (Reza)
Meditation (Meditacao)
I Feel Fine
A Man And A Woman (Un Homme et Une Femme)
Reach Out I'll Be There
Someone To Light Up My Life (Se Todos Fossem Iguanas a Vocé
So Nice (Summer Samba)