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Friday, September 17, 2010

Jackie Gleason - Rebound

Jackie Gleason Presents
Rebound
Capitol SW1075
1959

Gleason credits himself with the cover painting. According to the back cover, this is his 14th album.

This album is another fine understated effort that only Gleason seems to be able to pull off. The music drifts through both sides of the set creating a soothing atmosphere that is easy to get lost in.

101 Strings - A Bridal Bouquet

A Bridal Bouquet
101 Strings
Somerset SF-6400
1958

Great early 101 Strings cover of whacky little bride, who, several days after the wedding murdered her husband with a butcher knife.

Oh, come on... that never happened... but she does look a little  tense. Anything could happen.

The Disadvantages Of You - The Brass Ring

California Dreaming
The Disadvantages Of You
The Brass Ring
Phil Bodner
Dunhill D-50017
1967

One of Enoch Light's stable of musicians, Phil Bodner created a mid to late 60s sound known as The Now Sound. California Dreaming is an example of that light swinging vibe.

Thursday, September 16, 2010

Lionel Hampton BIG Band

Baby Don't Love Me No More

Lionel Hampton
Big Band
Cleff Records MG C-670
1955

Lionel Hampton - Vibraharp
Dwike Mitchell - Piano
John Mackel - Guitar
Peter Badie - Bass
Isavro Hernandez - Conga Drum
Jim Araki - Alto Sax
Bob Plater - Alto Sax and Clarinet
Eddie Chamblee - Tenor Sax
Retney Braver - Tenor Sax
Joseph Evans - Bariton Sax
Edward Preston - Trumpet
Wallis Davenport - Trumpet
Julius Brooks - Trumpet
Edward Mullens - Trumpet
Alvin Hayse - Trombone
Arnett Spano - Trombone
Harold Roberts - Trombone
Willie Ruff - French Horn

From the back cover: Once, when he was asked to explain the success of his music, Lionel Hampton declared: "You swing the blues, man, and you can't miss." Swing the blues – there you have it, in three words the musical philosophy of Lionel Hampton, sometime drummer and pianist, vibraharpist, bandleader and showman extraordinaire. From the days when Hampton, a kid on Chicago's South Side, first hammered the bass drum in a schoolboy band sponsored by the Chicago Defender, his has been a spectacularly successful philosophy.

Over anything else, swing implies a strong rhythm, an unmistakable beat and it is the beat that has always characterized a Hampton big band. Hampton loves the beat that is jazz, he loves to play it and he transmutes these deep-rooted feelings to the men in his band. It's an inordinately infectious thing, this Hampton beat. One of his musicians put it this way: "When Hamp lays down a beat, that is it!"

Hampton has had his own big band since 1940.  Before that, starting in 1936, he was one of the sparks of the Benny Goodman crew. And before that – well, the statistics in the life of Lionel Hampton fall into line easily. Born in Louisville, reared in Chicago, a young drummer around Los Angeles with the old Eddie Elkins and Les Hite bands, Hampton was the first to make of the vibraharp a jazz instrument.

Before Hampton, the vibraharp was used largely for drummers to tap an occasional pretty note or two. But a solo was unthinkable. And as for jazz on the vibes – that was a rare joke. Hamp changed all that, of course, in 1936, when he first prominence, Down Beat voted him "the most exciting artist of the year." Excitement, in the years since, certainly has been a hallmark of any Hampton band.

On these sides, recorded in August, 1955,  you'll find among others the always exciting Hampton standard, "Flying Home," and two selections which Hampton brought back from the band's jaunts to Israel, "Shalom-Shalom" and "A Song Of The Vineyard," and a pulsating "Air Mail Special" – these two having the special stamp of Buddy Rich at the drums.

Hamp sings on "The Blues Ain't News To Me," and Vickie Lee his current vocalist, takes the vocal on "Baby Don't Love Me No More."

Pig Ears & Rice
Flying Home
Midnight Sun
The Blues Ain't News To Me
Swingin' On C
Baby Don't Leave Me No More
Air Mail Special 
It's A Blue World
A Song Of The Vineyard
Shalom-Shalom

Wednesday, September 15, 2010

Taboo - Chief Walatghi And His Afro-Drummes


Facii (stereo)
Taboo
Exotic Rhythms Of The Jungle
Chief Walatghi and his Afro-Drummers
Silver Seal UT-139

This set, with artist credit removed, was also released on Promenade Records 2125. The back cover indicates that the Promenade record is a "Cawands's Group" project. The song titles are probably correct on that issue.

Arbaini
Charinde
How-nes
Lesha-Kai
Facii
Aboo
De Voo
Rejagee
Hope
Od Amit

An Excursion In Hi-Fi - Johnny Duffy

Moon Of Manakoora

At The Magnificent Theater Pipe Organ
An Excursion In Hi Fi
Johnny Duffy at The Magnificent Pipe Organ
Producer and Engineer: John Neal
Cover Photography: Phil Howard
Liberty Spectra-Sonic-Sound SL 9003
1956

This is an interesting Liberty project. The book-fold jacket features a 6-page insert that tells the story of the organ used to make this recording. Another organist of note, the actor best remembered for his role as George Wilson on CBS's TV series Dennis The Menance, Joseph Kerns, built his house around this organ which was purchased from Warner Brothers Studio in 1955. The insert features photos of Kearns space age home, exterior and interior images along with additional photos of the organ. I can't find any online mention of the house, that is, if the structure still stands today.

The album isn't consistent, conceptually, but there are a few atmospheric tunes to enjoy and of course, there is the great story to enjoy.

From the inside cover: About Johnny Duffy - Johnny Duffy is without a doubt one of the country's leading organists. He is equally at ease in the concert halls or as soloist in a swank supper club. As musical director for many of the major networks' top radio shows, he has brought many well-known themes to the ears of listeners everywhere.

Johnny is a true son of Erin, having been born in Kildare, Ireland. His youth, however, was spent in Turtle Creek, Pennsylvania, a little town near Pittsburgh. His musical background includes years of study with Walter Kelsey, Clarence Mader and Mario Castelnuovo Tedesco. The ability to play both semi-classical and popular music on the pipe organ and make it a thing of beauty is Johnny Duffy' greatest gift to the musical world.

About Joseph Kearns - Joseph Kerns was a leading west coast theatre organist for many years and played for an additional three years in Salt Lake City and Provo, Utah. His career as a theatre organist was terminated in the early thirties, and he joined radio station KSL, Salt Lake City, as an announcer.

Pior to joining KSL, he appeared in Salt Lake City stock productions for many years. After a six-year stint as staff announcer and program director at KSL, he came to Hollywood as an actor.

Since that time, he has been a regular on many top radio and television shows. His many credits include the Burns and Allen show; the Jack Benny show, as the vault-keeper, Ed; the narrator – the voice of Suspense; Judy Canova show, as her goofy boyfriend, Lukie; and the Whistler.

Despite his varied successes in show business, his first love has always been the magnificence of the theater pipe organ.

Also from the jacket notes: One of this admirable group is Joseph Kearns of Hollywood, California. This gentleman has gone to considerable expense and devoted most of his time recently to renewing and refining one of these glorious instruments. Having been a theatre organist at one time and a continuing organ enthusiast, he jumped at the opportunity to acquire a Wurlitzer – the second of only three of this specification made by Wurlitzer. It was made specifically for motion picture recording, and is voiced differently from the average organ. this particular instrument was completed January 31, 1929, for Warner Brothers. CBS bought it in 1948 and retained it in storage. Mr. Kearns bought it from CBS in February, 1955, and at that time began drafting plans for a structure in which to house it. This structure now serves not only as his home, but as a permanent abode for the organ and one of the most impressive settings in which a theater organ has ever been placed. Few people in Hollywood realize that within a stone's throw of Hollywood Blvd. and Vine St. there exists a carefully planned and beautifully decorated modern 2 1/2 story structure which is virtually built around an organ console. Mr. Kearns designed the house himself. After he got the organ, he realized he had to have some place to put the contents of the crates and boxes that had filled four storage rooms from floor to ceiling. So he built a house.

Of course, it wasn't quite so simple as that. He and his contractors spent hours contemplating special construction problems,  sound proofing, air conditioning, proper acoustics, etc. The console, which alone weighs a ton and a half, was placed right in the center of the living area. They had to use special steel beams and girders to support it. Aside from the fact that the dwelling is primarily functional as housing for the organ, it is extremely livable as a home.

The console, or key-desk, is placed in an alcove on the inner wall of a thirty-foot living room, with a decorative grille, for the pipes to speak through, on the opposite wall. The instrument was in mint-condition, as it had been carefully packed and crated, and had been playing up till the time of dismantling. The console consists of three manuals, full complement of pedals; two swell pedals; one crescendo pedal, nine toe pistons, 30 manual pistons and 175 stop tablets, which operate the many hundreds of pipes and percussions. There are 18 ranks of pipes, enclosed in two large chambers; all highly unified (another contribution by Hope-Jones!), complete with couplers, full "toy-counter," chimes, vibraphon, marimba-harp, as well as a Wurlitzer upright piano, playable from the console. The combination setter-board system, in back of the console, is accessible from a rear hallway. 

Mr. Kearns engaged Henry Pope, who originally disassembled the organ at Warner Brothers, to reinstall it. He and Mr. Pope spent three months uncrating and sorting the parts. Construction on the house was begun in May, 1955, and  the organ was installed by November. Mr. Kearns moved into the house in December, and the organ refinement was begun. The organ was playing well by the latter part of the construction of the house and made it possible to install the organ and have it playing in such a short time.

From Billboard - December 22, 1956: A meticulous engineering job has been done on this waxing of performance by a superior organist on a superior instrument. For pipe organ enthusiasts the sound will frequently be a revelation. Duffy has chosen a well-balanced program, mostly standards plus a couple of his own compositions, which offer a sampling of his instrument's virtuosity in a variety of musical moods. This should be fine sales bait for lovers of pipe organ listening.

Port Au Prince
Cuban Love Song
Come Back To Sorrento
Cross Country
Moon Of Makakoora
Cornish Rhapsody
Moonlight On The Ganges
It Happened In Monterey
Autumn In Rome
Down The Old Ox Road
Pigalle
American Rhapsody

Cinemagic Sounds - Richard Hayman

Theme From The Killing Of Sister George
Cinemagic Sounds
Switched-On Movie Music
Richard Hayman And His Orchestra
Arrangements by Richard Hayman
Executive Producer: Joe Carlton
Associate Producers: John Turner & Dick Weissman
Cover and Liner Design: Margaret Soutendijki / Henry Epstein
Mastered by George Piros
Command ABC 941S
Manufactured by Grand Awards Co., a subsidiary of ABC Records, Inc.
1969

Theme From The Killing Of Sister George
Theme From For The Love Of Ivy
Consider Yourself From Oliver
Magic Carpet Ride From Candy
Don't Rain On My Parade From Funny Girl
Theme From Chitty Chitty Bang Bang
Theme From The Shoes Of The Fisherman
Listen To The Sea From Ice Station Zebra
Joanna's Waltz From Joanna
Lucy In The Sky With Diamonds From Yellow Submarine
Theme From Take The Money And Run

Tuesday, September 14, 2010

Hi-Dee-Fi -

High Tide Boogie

Hi-Dee-Fi
Lenny Dee
Organ Solos With A Beat
Decca Records DL 8406
1957

From the back cover: Strangely enough Lenny Dee did not start his music career as an organist. At seven he was playing the banjo; his next instrument was the piano-accordion. He was unsure what kind of a musician, he would be when he joined the Navy, and when he got out of it he enrolled at the Conservatory of Music in Chicago. It was there on a G. I. Bill, that Lenny took his first lessons at the organ – and knew that this was the instrument for him.

Soon he was preparing professionally, and it was not long before he was booked at some of the most prominent hotels in the South. A weekly network made a bid for him; he also played at Nashville's Plantation Club. His contract with Decca Records gave him national publicity; his first recordings were immediate hits.

This Can't Be Love
I'll See You In My Dreams
Tara Lara
Goodnight Sweet Love
In The Mood
Stormy Weather
Undecided
Rose Room
If You Knew Susie (Like I Know Susie)
My Blue Heaven
High Tide Boogie
Dream

Pac-Man Fever

Pac-Man Fever
Buckner & Garcia
Columbia/CBS
1982

OK... this is the LP release of a popular novelty recording which featured songs about classic arcade games and uses sound effects from that game to help sell the tune. Apparently, the album was completely re-recorded for a 1999 and 2002 release.

The story (from Wikipedia) is that Buckner and Garcia could not obtain rights at that time from Sony and were forced to recreate a lot of the sound effects which disappointed many fans who then began a search for the original vinyl.

Monday, September 13, 2010

Korla Pandit - The Grand Moghul Suite - Part 1

The Hypnotist

The Grand Moghul Suite
Part 1
Korla Pandit
India Records
Korla Pandit Productions 1001
1971

From the back cover: Having first appeared on Paramount Television for a year and a half, he never spoke a single word except through the profound expression of his personality and music. He termed it "The Universal Language Of Music." He won the TV Guide and Televiews Magazine award for the outstanding male personality and musical instrumentalist on west coast television. Thousands of testimonial letters have been sent to him, all telling a similar story of how this program has had a tremendous influence on their personal outlook on life. "An island of Peace, and Solitude, in the midst of tumult, and confusion." Perhaps you too will find some such satisfaction in these selections of enchantment at any rate, you will find them to by of unique, and dynamic entertainment value. Ducovdray says "Oriental music may provide Western musicians with fresh resources of expression and with colors hitherto unknown to the palate of the musician. To date he has appeared on over 900 telecast programs, his films and recordings have circled the world. He has become a legend in his own time.

Korla Pandit was discovered duplicating songs at the early age of two years and four months. His father, a Brahman and a member of one of India's first families, decided to send him to English tutors when when he reached five years of age. Here, hi uncanny natural ability was confirmed. (He immediately reproduced any composition that the Masters performed on the keyboard of their grand piano, an instrument for which he had no previous training.) He was limited only by the reach of his small hands. His abilities waxed stronger with age. After a tour of Europe, and a brief stay in England, he journeyed to America, where under special tutors and a guardianship he continued his studies until he entered the University of Chicago. Many more paragraphs totaling into a full-length book, could possibly be written about Mr. Pandit's life and still only brush the surface of Romance, Occult, Mystery and Spiritual factors which it undoubtedly contains, however, time and space does not permit it here. Our chief objective, here, is to declare his musical genius.

The Magnetic Theme (Magnetism)
Kumar
Kartikeya
Aicha's Dance
Ode To A Desert Love
The Hypnotist
The Procession Of The Grand Mogul
Theme Of Meta-logy
Trance Dance
Omar
The Turkish Dance