On Green Dolphin Street (Jack Pleis)
Produced by Teo Macero
Songs conducted and arranged by Teo Marceo or Jack Pleis
Cover photo by Scott Hyde
Columbia CS 8461
From the back cover: Hamp's new vibraphonic excursions into form and instrumentation have always been interesting and dynamic, never without logic – often complexly logical – intention. Take his Golden Vibes (CL 1304, CS 8110, Stereo), for instance. Here, the musicians were divided between rhythm and reeds. The most memorable work-outs, probably, on that record were The Nearness Of You and The High And The Mighty, with Hampton caressing his vibes, and then heating them near to the melting-point.
From October 9, 1961 Billboard: Here's a lushly orchestrated package of melodic mood music with a tasteful jazz flavor. Blending his standout vibe solo work with sweet strings, Hampton provides rich, listenable instrumental treatment of "Deep Purple," "Once In A While," "Ruby." and other dreamy oldies.
The arrangements are not "cutting edge" by early 60s standards, although the arrangement on The Blues I Got Comin' Tomorrow does including a "thumping" bass effect which causes this track to sound "out-of-place" in the set. The majority of the set is one if the better "lush-strings" albums I've collected. The strings blend nicely with Hampton's vibes and the "light jazz" influences help keep the music sounding fresh today.
Stairway To The Stars
Do Nothin' Till You Hear From Me
Over The Rainbow
Once In A While
On Green Dolphin Street
The Blues I Got Comin' Tomorrow