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Saturday, October 16, 2021

Satori - Lee Konitz

 

Satori

Satori
Lee Konitz
Produced by Dick Katz
Art Direction: Phil Carroll
Cover Photo: Tavia Mladinch
Engineer: Elvin Campbell
Recorded at CI Recording, New York City - September 30, 1974
Milestone M-9060
Distributed by Fantasy Records
1975

Personnel:

Lee Konitz - Alto Sax
Martial Solal - Piano (Electric Piano on Sometime Ago)
David Holland - Bass
Jack DeJohnette - Drums (courtesy of Prestige Records)
Dick Katz - Electric Piano (Satori only)

"Satori may be defined as an intuitive looking into the nature of things, in contradistinction to the analytics  or logical understanding of it." – D. T. Suzuki - Zen Buddhism

Just Friends
Green Dolphin Street
Satori
Sometime Ago
What's New
Hymn
Free Blues

Friday, October 15, 2021

Woody Herman Recorded Live

 

Dr. Wong's Bag

Woody Herman
The Herman Herd Recorded Live
Ambassador
By Arrangement with Mercury Record Productions Inc.
S/98052
1968

The Good Life
What Kind Of Fool Am I?
Everybody Loves Somebody
Just Squeeze Me (But Don't Tease Me)
Dr. Wong's Bag
Dear John C
Wa-Wa Blues
The Things We Said Today
Bedroom Eyes

A Salute To The Great Band Leaders - Oscar Clinton

 

I Talk To The Trees

A Salute To The Great Band Leaders
Played by Oscar Clinton and His Orchestra
Spinorama Records M-27 (M-3142)

Spellbound - Al Goodman
So Rare - Jimmy Dorsey
Yellow Rose Of Texas - Mitch Miller
Manhattan Spiritual - Reg Owen
La Paloma - Billy Vaughn
Green Sleeves - Montavani
Moonlight Serenade - Glenn Miller
I Talk To The Trees - Edmundo Ros
Habanera - Eddie Maynard
Auld Lang Syne - Guy Lombardo
Getting Sentimental Over You - Tommy Dorsey

Witchcraft - Chris Connor

 

Baltimore Oriole

Witchcraft
Chris Connor
Arrangements by Richard Wess
Cover Photo: Erich Locker
Cover Design: Marvin Israel
Supervision: Nesubi Ertegun and Ahmet Ertegun
Recording Engineers: Earle Brown, Frank Abbey and Johnny Cue
Atlantic 8032
1959

Personnel:

On Witchcraft, I Hear The Music Now, Like A Woman and You Don't Know What Love Is, Chris Connor is accompanied by Jimmy Nottingham, Bernie Privin, Bernie Glow and Ernie Royal, trumpets; Frank Rebak, Morton Bullman, Chauncey Welsch and Bob Alexander, trombones; George Berg, Phil Bodner, Jerry Sanfino, Al Klink and Romeo Penque, saxes; Hank Jones, piano; Mundell Love, guitar; Milt Hinton, bass; Dom Lamond and Sol Gubin, drums; Phil Kraus, percussion; Bobby Rosengarden,   bongos.

On I'll Never Be Free, Come Rain Or Come Shine, How Little We Know and Just In Time, Chris Connor is accompanied by: Joe Cabot, Doc Severinsen, Bernie Privin and Bernie Glow, trumpets; Morton Bullman, Chauncey Welsch, Bob Alexander and Bob Ascher, trombones; George Berg, Hymie Shorter, Romeo Penque, Jerry Sanfino and Phil Bodner, saxes; Hank Jones, piano, Mundell Lowe, guitar, Milt Hinton, bass; Don Lamond, drums.

On The Lady Sings The Blues, When Sunny Gets Blue, Baltimore Oriole and Skyscraper Blues, Chris Connor is accompanied by George Berg, sax & flute, Phil Bodner, sax, flute and English horn; Fred Klein and Jim Buffington, French horns; Gene Orloff, Tony Bambino, Hinda Barnett, Felix Giglio, Harry Lookofsky, David Montagu, Max Cabn, Arnold Eidus, Harry Katzman, Leo Kruczek, Max Ceppos and Joseph Marlin, violins; Isadore Zir and Henry Pakaln, violas; Maurice Brown and Sidney Edwards, cellos; Sol Gubin, vibes and bells; Hank Jones, piano; Mundell Lowe, guitar, Milt Hinton, bass; Osie Johnson, drums.

From Billboard - November 30, 1957: A fine new album  by Chris Connor that should gas her many, many fans. The thrush is featured here on an outstanding group of pop tunes, including such wonderful items as "Witchcraft," "I'll Never Be Free," "Baltimore Oriole," and "Like A Woman." And she sings then with the style and taste that mark all of her work. The arrangements by Dick Wess swing too. A strong new slicing by the thrush with a most exciting cover.

Witchcraft
I'll Never Be Free
The Lady Sings The Blues
Come Rain Or Come Shine
When Sunny Gets The Blues
How Little We Know
I Hear The Music Now
Baltimore Oriole
Just In Time
Like A Woman
Skyscraper Blues
You Don't Know What Love Is

Adventures Of The Heart - Frank Sinatra

 

Nevertheless

Adventures Of The Heart
Frank Sinatra
Photograph: Don Snyder
Columbia Records CL 953
1957

From Billboard - March 9, 1957: Columbia is releasing another package of old sides, sliced by the Voice a few years ago. Sinatra wasn't in as good voice then, and backing lacks zing of his present LP's, but fans will want to add this to their collections, and jock can augment their Sinatra programming line-up with such selections as "Nevertheless," "I Gould Write A Book," and "I Guess I'll Have To Dream The Rest."

I Guess I'll Have To Dream The Best
If Only She'd Look My Way
Love Me
Nevertheless
We Kiss In The Shadow
I Am Loved
Take My Love
I Could Write A Book
Mad About You
Sorry
Stromboli
It's Only A Paper Moon

Terra Nova - Robin Kenyatta

 

Terra Nova

Terra Nova
Robin Kenyatta
Produced by Michael Cuscuna
The horn arrangement on Terra Nova is by Jonas Gwangwa
Need Your Love So Bad & Touch were recorded at The Hit Factory, New York, N.Y. in April, 1973
Recording Engineer: Harry Maslin
All other selections were recorded at Dynamic Recording Studios, Kingston, Jamaica, West Indies in March 1973
Recording Engineer: Carlton Lee
Percussion and horn overdubs recorded in Atlantic Recording Studios, New York, N.Y., and The Hit Factory, New York, N.Y.
Recording Engineers: Harry Maslin, Jimmy Douglass and Joel Kerr
Mixed at Atlantic Recording Studios, New York, N.Y.
Re-mis Engineer: Jimmy Douglas
Photography: Giuseppe G. Pino
Atlantic SD 1644
1973

From Billboard: October 13, 1973: What a mass to find a jazz LP which makes the reggae come alive in a very legitimate manner. Much of this LP was cut in Kingston, Jamaica and the opening cut. "Temptation Took Control Of Me (And I Fell)" starts things off on a bouncy, lets groove together mood. Alto-soprano saxman Kenyatta also scores with some simple blues tinged material like "Need Your Love So Bad" and "Island Shakedown," But the emphasis on this small group situation is to work with reggae. and for the African instrumentalist, this could easily be the LP to break him big. It could also be the first instrumental LP to make reggae the broad appeal music it deserves to be. It's really that good an LP and one only hopes that the powers at Atlantic will take the time to bring this LP to people's attention. The marriage of jazz techniques with the Jamaican rhythm is perfect. This is the best damn reggae/jazz LP to  be released in the U.S. There is enough legit jazz blowing to satisfy jazz buffs with the added spice of a dancing, hip swaying rhythm to entice hardcore soul stirrers.

Temptation Took Control Of Me (And I Fell)
Need Your Love So Bad
Terra Nova
You Are The Sunshine Of My Life
Freedom Jazz Dance
Mother Earth (Provides For Me)
Touch
Island Shakedown

Wednesday, October 13, 2021

After Theatre Memories Of Broadway - Addison Bailey

 

Sweet Thursdays

After-Theatre Memories Of Broadway
Featuring Addison Bailey At The Piano
Epic LN 3284

My Fair Lady

Wouldn't It Be Loverly
On The Street Where You Live
The Rain In Spain
I'm An Ordinary Man
I've Grown Accustomed To Her Face
I Could Have Danced All Night
With A Little Luck

Pipe Dream

All At Once You Love Her
The Next Time It Happens
Sweet Thursday
Everybody's Got A Home
Suzy Is A Good Thing
The Man I Used To Know

The Red Poppy & Caucasian Sketches - Anatole Fistoulari

 

The Red Poppy

Gliere - The Red Poppy (Excerpts) 
Ippolitov-Ivanov - Caucasian Sketches, Op. 10
Anatole Fistoulari conducting the London Philharmonic Orchestra
Recorded in England
RCA Victor LM-2133
1957

From Billboard - October 12, 1957: Excellent recording enhances good versions of colorful Russian scores which rely on exotic flavor. "Caucasian Sketches" are not strange to record and "Red Poppy" has been done well before, but present package will show strengths. Attractive cover.

Gliere - The Red Poppy (Excerpts)
Heroic Dance of the Cool\ie
Scene and Dance with the Golden Fingers
Chinese Maidens' Dance
Waltz Russian Sailors' Dance

Ippolitov-Ivanov - Caucasian Sketches, Op. 10
In a Mountain Pass
In the Village
In the Mosque
Procession of the Sirdar

Brazil Blues - Herbie Mann

 

Copacabana

Brazil Blues
Herbie Mann
Producer: Alan Douglas
Sound: Bill Schwartau
Photographer: Chuck Stewart
Perviously issued under UAJ 15009 & SS 18020
United Artist Records STEREO UAS 5636
1972

Personnel:

Flute: Herbie Mann
Guitar: Billy Dean
Conga: Carlos (Potato) Valdez
Drums: Willie Bobo
Vibes: Haygood Hardy
Marimba: Dave Pike
Bass: Bill Salter
Tambourine: Jose de Paula
Maracas: Carmen Costa

Brazil
Copacabana
Minha Saudade
B. N. Blues
One Note Samba
Me Faz Recorar

Freddy Cannon Sings Happy Shades Of Blue

 

Blue Skies

Freddy Cannon
Sings Happy Shades Of Blue
Frank Slay and His Orchestra
Produced by Frank Slay and Bob Crewe
Arrangements: Frank Slay, Bob Crewe and Sid Bass
Recording Engineer: George Schowerer
Swan Records SWAN 504
1960

From Billboard - October 31, 1960: The exuberant rock and roller warbles cheerfully on a group of tunes with the word "blue" in their titles. His fans should like the package. Selections include "My Blue Heaven," "Alice Blue Gown" and "Old Piano Roll Blues,"

Five Foot Two, Eyes Of Blue
My Blue Heaven
Blue Suede Shoes
Blue Skies
Lavender Blue
Blue Plate Special 
Bye Bye Blues
Alice Blue Gown
The House Of Blue Lights
The Old Piano Roll Blues
The Blacksmith Blues
Happy Shades Of Blues