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Thursday, November 9, 2017

Gold On Silk - Ray Wright

Gold On Silk
The Ray Wright Orchestra
Produced and Directed by Andy Sannella
Technical Director : Robert J. Engler
Recording Engineer: Aaron Nathanson
Everest LPBR 6048
1959

Featuring

Will Bradley - Trombone
Doc Severinsen - Trumpet
Jimmy Chambers - French Horn
Don Butterfield - Tuba

Available from online vendors so I will not be posting a sample. Presented here to share the biographical information found on the back cover.

Lush, dynamic arrangements featuring soloists as noted. Excellent period mood set.

Ray (for Rayburn) Wright is a former baseman himself, having played trombone with Tony Pastor and the Glenn Miller orchestra. He has a Bachelor of Music degree from the Eastman School of Music in Rochester, a Master of Science degree from Columbia University, and he's done graduate work at the Juilliard School of Music. His subsequent career included three years as chief arranger for the Radio City Music Hall, and his work can be heard on Raymond Paige's Everest album, Music Hall Bon-Bons (Everest SDBR 1024, LPBR 5024, STBR 1024). Ray has been "the man behind the scenes." He is a consistently skillful arranger who has the ability to catch the quality that best complements the particular style and feeling of each artist. On this set, "Gold on Silk," he did the arrangements along with Dick Lieb and Larry Crosley. He also wrote Small Town Blues and Lonesome Horn especially for this album.

Will Bradley, has been playing trombone professionally since he was 16. His band experience includes stays with Red Nichols and Ray Noble and from 1939 to 1942, Will led a buoyantly successful band with Ray McKinley whose recorded hits include Beat Me Daddy Eight To The Bar and Scrub Me Mama With A Boogie Beat. Before and after his experience as a band leader, Will had extensive network staff experience at CBS. He's also been continually in demand at recording sessions. Currently at NBC, Will freelances on recording dates and pursues another career as a composer of classical music. He's written, among other compositions, several larger string works, a brass suite, and recently, a Suite For Ten Brass And Percussion. As an avocation, Will paints in textural forms and does abstract wood sculpture.

Trumpeter, Doc Severinsen was trained by his father as a classical trumpet player. While still attending school, Doc joined Ted Fio Rito, and then came Army service. After having been discharged, he played with Charlie Barnet and Sam Donahue. Doc's next job representing the fulfillment of a high school ambition – he joined Tommy Dorsey with whose band he was a featured soloist, as he had been with Charlie Barnet. After some time with Dorsey, Doc settled in New York and joined the NBC staff orchestra. He was featured on the former Steve Allen Tonight Show and with Skitch Henderson's orchestra on many other programs. He's conducted NBC "Band Of Stars" on the Bandstand Show and was a prominent member of Billy Taylor's group on the NBC-TV educational series The Subject Is Jazz.

Jim Chambers is solo French Horn for the New York Philharmonic- Symphony. Although he began to play the French horn at the age of ten, his formal study of that difficult instrument didn't begin until he was seventeen – two years after he made his debut with the Trenton Symphony. In 1940-41, Chambers played in the All-American Youth Orchestra under Leopold Stokowski. After being graduated from Curtis Institute in 1941, Chambers won his first post with a major orchestra, the Pittsburgh Symphony with Fritz Reiner conducting. In 1942, he became solo horn with the Philadelphia Orchestra. In 1946, he was engaged as solo French horn with the New York Philharmonic. In addition to his orchestral work, Chambers has also appeared as a concert with chamber groups. He taught at Curtis Institute, at Juilliard since 1946, and for the past three years, conducts a class in orchestra repertoire at the Manhattan School of Music.

Don Butterfield, the tuba virtuoso, started on the tuba in the high school band. From 1946 - 52, he studied at the Juilliard School of Music with the brilliant tuba player, Bill Bell. Butterfield's experience includes work with New York Philharmonic, the NBC and CBS Symphony Orchestra, the Goldman Band, the Band Of America, and the dance units of Claude Thornhill, Sauter-Finegan and Dick Malthy, and is currently principal tuba player with the Radio City Music Hall Orchestra. He organized his own jazz sextet, appeared at the Newport Festival, and all in all, has been zealous in championing the cause of the tuba as a instrument capable of more musical range than had been generally assumed. He notes, incidentally, that this album represents the first time the tuba has been featured as a solo instrument with strings.

In addition to these four superior brass soloists, that are Gene Orloff, who is responsible for the eloquent violin statements; Al Klink, flute; Bill Gromko, viola; and Dave Soyer, cello. The equally expert rhythm section consists of Don Lamond or Joe Venuto, drums; Bernie Leighton, piano; Bar Galbraith, guitar; and Homer Mensch, bass.

– Nat Hentoff

Stormy Weather - Jimmy Chambers
I Got It Bad And That Ain't Good - Doc Severinson
Small Town Blues - Will Bradley
Yesterdays - Don Butterfield
September Song - Doc Severinson
My Man's Gone Now - Jimmy Chambers
Lonesome Horn - Doc Severinson
My One And Only Love - Don Butterfield
Why Was I Born - Will Bradley
Moonlight Mood - Jimmy Chambers
Ghost Of A Chance - Doc Severinson
"The Bad And The Beautiful" Theme - Don Butterfield

Sunday, November 5, 2017

My Fair Lady - Shelly Manne


I've Grown Accustomed To Her Face


Modern Performances Of Songs From My Fair Lady
Shelly Manne & His Friends
Shelly Manne (drums), Andre Previn (piano) and Leroy Vinnegar (bass)
Produced by Lester Koenig
Engineer and Technical Supervisor: Roy DuNamn
Cover Photo by Phil March
Design by Guidi/Tri-Arts
Andre Previn appear courtesy of Decca Records, Inc.
Vol. 2 Contemporary Records C35287
Recorded August 17, 1956 at Cotemporary's Studio in Los Angeles

From Billboard - July 21, 1956: Shelly Manne's "friends" on this record date were pianist Andre Previn and bassist Leroy Vinnegar. Previn's work is of most immediate interest, for it represents a great advance jazzwise over anything of his released to date. Not that he hasn't always had something of interest to say, but in the past too much of it was precious and unslinging. Here, however, he moves along dynamically from start to finish. Sample of exquisitely fingered line of "Stars Fell On Alabama," the variety of dance accents of "The Girl Friend" or the subtle percussive quality of "I Cover The Waterfront," with Manne and Vinegar giving unfailing brilliant support. This West Coast be a good traffic item for all dealers.

From the back cover:

Shelly Manne was born in New York City, June 11, 1920. He joined the union when he was 18, and his first job was with a band on ship plying between New York and Le Have. Between trips he spent much time in the clubs on 52nd Street and in Harlem, listening and learning. Before joining the Coast Guard for 3 1/2 years he played with leading big bands. Upon discharge he worked on 52nd Street again, then joined Stan Kenton for three tours of the U.S. In 1951 Shelly left Kenton to settle in California. He played for motion pictures, radio, TV and night clubs until 1952 when he joined Howard Ramsey's Lighthouse All-Stars. In 1954 he left the All-Stars to co-front a group with Shorty Rogers until the fall of '55 when he formed his own quintet, Shelly Manne & His Men. He is generally considered winner of Down Beat and Metronome popularity polls, and was Metronome "Musician Of The Year" for 1955.

Andre Previn was born in Berlin, Germany, April 6, 1929 and began his musical studies in Europe. He came to the U.S. in 1939 and continued studying in Los Angeles, first with the late Joseph Achron, and since 1944 with Casttelnuovo-Tedesco. He has been composing and conducting film scores at MGM since 1949 (except for two years 1950-51 spent in the Army), and is currently working on his 25th picture. He has been nominated three times for Academy Awards. He is a gifted classical, popular and jazz pianist, and has appeared on the concert stage and in night clubs with equal success. He became interested in jazz after hearing Art Tatum and realizing what could be done in jazz forms. His conviction jazz is "a very important and genuine American art form" was strengthen in the 1950s when he heard Bud Powell and the late Charlie Parker. He enjoys playing with Shelly Manne, and appeared on the first Friends album (C3525) with Shelly Manne in February 1956.

Leroy Vinnegar was born in Indianapolis, Indiana, July 13, 1928. He is a comparatively new name in jazz, yet critics and fans are beginning to recognize his extraordinary talent. He is a completely self-taught bass player who "just picked it up" as a teen-ager in Indianapolis. He had fooled around with the piano, but the first time he tired the bass he "discovered that was for me." He has been a professional musician since he was 20, first with local groups in Indianapolis, then for a year in Chicago. He came to Los Angeles in 1954, and his first "real gig" with Barney Kessel's Quartet at Jazz City led to his playing and recording with many of the best-known West Coast musicians. Since October 1955 he has been a regular member of Shelly Manne's group.

Lester Koenig
August 27, 1956


Get Me The The Church On Time
On The Street Where You Live
I've Grown Accustomed To Her Face
Wouldn't It Be Lovely
Ascot Gavotte
Show Me
With A Little Bit Of Luck
I Could Have Danced All Night

Nexus - Klemmer

Nexus
Nexus
For Duo And Trio
John Klemmer - Carl Burnett - Bob Magnusson
Produced by John Klemmer
For John Klemmer Productions
Age Of The Artist Series
Novus / Arista Records AN2 3500
1979

Book fold jacket - 2 disc set.

From the back cover: This group concept called Nexus, consists of myself, Bob Magnusson and Carl Burnett. The musical collaboration has allowed me to express my roots with them, Chicago... Post-Be-Bop... all night jam sessions.

Misty
Body And Soul
Mr. PC
God Bless The Child
My One And Only Love
Softly As In A Morning Sunshine
Impressions
Four
Nexus

Saturday, November 4, 2017

John Davison

Stormy
John Davison
Produced by Tim O'Brien
Arranged and Conducted by Everett Gordon and Joey Scott
Engineering: Stan Tonkel and Rafeal O. Valentin
Columbia CS 9795
1968

Special Thanks to:
Buddy Saltzman - Drums
Chet Amsterdam - Bass
Sal DiTroia - Guiar

Stormy
Little Green Apples
Words
I've Got To Be Me
Woman Helping Man
Ob-La-Di Ob-La-Da
Goodnight My Love
Those Were The Days
Didn't We
Both Sides Now
Suzane

Friday, November 3, 2017

Jon Hall Brings Music From Hawaii

Sweet Leilani
Jon Hall Brings Music From Hawaii
Mercury Wing
MGW 12141 & SRW 12510

Sweet Leilani
Mine Minoi E
Fish And Poi
Hawaiian Hospitality
My Little Gras Shack In Kealakekua Hawaii
Hula O Maki
Que Linda
Tematangi

Monday, October 30, 2017

Jumps With Joya Sherrill - Sammy Davis Jr.

Sammy Davis Jr.
Jumps With Joya Sherrill
Cover Photos by Milton H. Greene
Design Records
DLP 22
1957

Available from online vendors so I will not be posting a sample. Presented here to share the back cover.

From the back cover: His (Davis) is a typical show business story... born in a trunk... celebrated his first birthday in a crib at the old Hippodrome Theater where his parents Sam and Elvira Davis were performing in a Dixieland act that had been put together by Will Mastin. One of the nice things about Sammy is that the act is still The Will Mastrin Trio starring Sammy Davis, Jr. This makes it one of the older and certainly one of the finest acts in all of show business. From the moment that Sammy, his father and his uncle walk on until the time that they have to "beg" off, you know that you're in for solid entertainment. They just don't stop. How can you stop when it's in your blood. Sammy has recorded for Decca and his first recording there Hey There was an instantaneous hit. You couldn't expect anything else. Sammy knows every trick of the trade.

Coupled with Sammy is Miss Joya Sherrill. A truly beautiful girl with a voice to match. Schooled under the perfectionist ears of that American musical genius, Duke Ellington, Miss Sherrill has rapidly become an important artist in the field of jazz and popular vocalizing. She has recorded over forty sides with the Ellington orchestra for RCA Victor. Here, she makes her debut as a solo recording artist. We know that you'll agree with us that she is certainly an artist of major stature. Notice how she changes the mood as she sobs the lament of Billy Strayhorn's haunting Lush Life and then bounces into the lit of Thou Swell.

Joya has appeared in a list of theaters literally from coast to coast including the Paramount and Strand in New York, the Chicago in Chicago and the Paramount in Los Angeles. Her night club dates include Ciro's and the Macombo in Hollywood, the Black Orchid in Chicago, Casino Royal in Washington, Town Casino in Buffalo and the Blue Angel, Ruban Bleu and Cafe Society in New York. She has appeared on the Ed Sullivan and Steve Allen TV shows and recently starred on the Theater Guild's production for U.S. Steel of Duke Ellington's great jazz classic A Drum A Woman. Nuff said.


Gypsy In My Soul
Baby Me
Who Needs Spring
Lush Life
Between The Devil And The Deep Blue Sea
Chloe
Who Do I Worry
Easy Street
End Of A Love Affair

Tuesday, October 24, 2017

Friml's Rose Marie

Oh What A Beautiful Day
Friml's Rose Marie
The Broadway Orchestra and Singers
Halo 50241
Printed in U.S.A. - Record Corporation Of America - Union City, New Jersey
1957

This is the track list (below) is as it appears on the disk label (there is no list printed on the back jacket). From the sample above, the only track to feature vocalists, the list is obviously wrong.

Regimental Song
The Door Of Her Dreams
Indian Love Call
Rose Marie
L'Amour Toujours L'Amour
Allah's Holiday
Only A Rose
Melodie
Valse Huguette
Donkey Serenade
Indian Love Call

Come To My Party - Mrs. Mills

I'll Always Be In Love With You
Come To My Party
Mrs. Mills
With Accompaniment Directed by Geoff Love
Produced by Norman Newell
Printed and made by Garrod & Lofthouse Ltd., Great Britain
Parlophone/E.M.I Records - Hayes-Middlesex-England
PMC 7010
1966

Good Morning
Me And My Shadow
I'll Always Be In Love With You
Promises
Far Away Places
My Melancholy Baby
Second-Hand Rose
There's A Blue Ridge 'Round My Heart, Virginia
There
Let Him Go, Let Him Tarry
I Belong To Glasgow
Dancing With My Shadow
Over The Rainbow
Get Out And Get Under The Moon

The Fabulous Bill Holman

The Fabulous Bill Holman
Coral Records
Cover photo by Garrett-Howard
CRL 57188
1958

Audio files are available from online vendors so I will not be posting a sample. Presented here to share the back cover information.

Fine big band jazz set featuring one 17 minute Holman penned track on side 2, The Big Street.

Personnel:

Bill Holman, Arranger-Conductor-tenor saxophone and Leader

Trumpets - Al Porcino, Roy Linn, Conte Condoli, Stu Williamson (also plays valve trombone)

Trombones - Bob Fitzpatrick, Ray Simms, Lew McCreay*

Saxes: Charlie Mariano, Herb Gellar, altos; Charlie Kennedy, Richie Kamuca, tenors; Steve Perlow, baritone. Rhythm: Mel Lewis, drums; Max Bennett, bass; Lou Levy, piano.

*Replaced by Harry Betts and Bright Eyes, Evil Eyes and You And I.

Solo Annotation:

Airegin - Bill Holman, tenor; Conte Condoli, trumpet; Mel Lewis, drums**; Max Bennett, bass.

Evil Eyes - Lou Levy, piano; Holman, tenor; Lewis (breaks leading to coda).

Bright Eyes - Levy, piano; Williamson, trumpet; Holman, tenor; Bennett, bass.

Come Rain Come Shine - Holman, tenor; Roy Sims, trombone; Holman, tenor

The Big Street

Part I - Lewis, drums; Condoli, trumpet; Holman, tenor; (16 bars). Charlie Kennedy, tenor; (16 bars), Holman, tenor; (8 bars). Charlie Kennedy, tenor (8 bars). Levy, piano, Lewis (on assemblage of breaks in closing portion and final break into Part II).

Part II- Holman, tenor; Sims, trombone; Geller, alto, Holman, tenor.

Part III - Mel Lewis, drums; Williamson, trumpet; Bennett, bass; Richie Kamuca, tenor; (16 bars) Holman, tenor; (16 bars) one chorus of four bar exchanges between Holman and Kamuca, with Kamuca leading off... Lewis (a group of breaks shortly before close)

**only key drum solos, breaks noted

From the back cover: Bill Holman, a 30 year old native Californian, first manifested interest in music as a teenager, started playing clarinet at 13, going on to tenor at 15. After spending two years in the Navy, studying engineering at the University of Colorado and UCLA, he decided to go into music full-time in 1948.

In order to pursue this course, Holman attended the Westlake College of Music (1948-50) and studied counterpoint with Russ Garcia... First playing with local bands around Los Angeles, then with Ike Carpenter. Holman joined Charlie Barnet (1951). Stan Kenton (1952-53), attaining national recognition for his playing and writing with Kenton, remaining on the Kenton arranging staff until the early part of 1956.

Since then, he has contributed to the Kenton Library on occasion, written for recordings, played with Conte Candoli, the Lighthouse All Stars, the Shelly Mann unit, and Shorty Rodgers' Giants....

Currently Holman resides in "a typical Los Angeles suburb" with his wife and two young sons.


Airegin - Sonny Rollins
Evil Eyes - Bill Holman
You And I - Meredith Wilson
Bright Eyes - Bill Holman
Come Rain Or Come Shine - Johnny Mercer & Harold Arlen
The Big Street - Bill Holman

Monday, October 23, 2017

Charlie Ventura Concert

East Of Suez
Gene Norman Presents
Charlie Ventura Concert
Featuring The Charlie Ventura Septet
Jackie Cain & Roy Kral
Actually Recorded at Gene Norman - Charlie Ventura concert - Pasadena Civic Auditorium, Pasadena, California in 1949
Decca Records DL 8046
1953

Charlie Ventura - Tenor Sax
Conti Condilo - Trumpet
Benny Green - Trombone
Boots Musailli - Alto Sax
Roy Kral - Piano
Kenny O'Brien - Bass
Ed Shaughnessy - Drums

Splendid jazz set featuring excellent live performance engineering.

Introduction and Theme Music, including:
Yesterdays - Jerome Kern-Otto Harbach
 The Peanut Vendor - Moses Simons

Euphoria - Roy Kral - Charlie Ventura
Instrumental Fox Trot with Voices of Jackie Cain and Roy Kral Charlie Ventura Septet

Find And Dandy - Kay Swift - Paul Jones
Instrumental Fox Trot featuring Conti Condoli, Tumpet Solo Charlie Ventura Septet

East Of Suez - Louis Stein - Charlie Ventura
Instrumental Fox Trot with Voices of Jackie Cain and Roy Kral

If I Had You - Ted Shaprio-Jimmy Campbell-Reg Connelly
Instrumental Fox Trot featuring Charlie Ventura, Baritone Saxophone Solo

I'm Forever Blowing Bubbles - Jean Kenbrovin-John W. Kellete
Instrumental Fot Trot with Voices of Jackie Cain and Roy Kral

Pennies From Heaven - Arthur Johnston-John Burke
Instrumental Fox Trot featuring Benny Green, Trombone Solo

How High The Moon - Nancy-Hamiliton-Morgan Lewis
Instrumental Fot Trot