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Saturday, November 4, 2017

John Davison

Stormy
John Davison
Produced by Tim O'Brien
Arranged and Conducted by Everett Gordon and Joey Scott
Engineering: Stan Tonkel and Rafeal O. Valentin
Columbia CS 9795
1968

Special Thanks to:
Buddy Saltzman - Drums
Chet Amsterdam - Bass
Sal DiTroia - Guiar

Stormy
Little Green Apples
Words
I've Got To Be Me
Woman Helping Man
Ob-La-Di Ob-La-Da
Goodnight My Love
Those Were The Days
Didn't We
Both Sides Now
Suzane

Friday, November 3, 2017

Jon Hall Brings Music From Hawaii

Sweet Leilani
Jon Hall Brings Music From Hawaii
Mercury Wing
MGW 12141 & SRW 12510

Sweet Leilani
Mine Minoi E
Fish And Poi
Hawaiian Hospitality
My Little Gras Shack In Kealakekua Hawaii
Hula O Maki
Que Linda
Tematangi

Monday, October 30, 2017

Jumps With Joya Sherrill - Sammy Davis Jr.

Sammy Davis Jr.
Jumps With Joya Sherrill
Cover Photos by Milton H. Greene
Design Records
DLP 22
1957

Available from online vendors so I will not be posting a sample. Presented here to share the back cover.

From the back cover: His (Davis) is a typical show business story... born in a trunk... celebrated his first birthday in a crib at the old Hippodrome Theater where his parents Sam and Elvira Davis were performing in a Dixieland act that had been put together by Will Mastin. One of the nice things about Sammy is that the act is still The Will Mastrin Trio starring Sammy Davis, Jr. This makes it one of the older and certainly one of the finest acts in all of show business. From the moment that Sammy, his father and his uncle walk on until the time that they have to "beg" off, you know that you're in for solid entertainment. They just don't stop. How can you stop when it's in your blood. Sammy has recorded for Decca and his first recording there Hey There was an instantaneous hit. You couldn't expect anything else. Sammy knows every trick of the trade.

Coupled with Sammy is Miss Joya Sherrill. A truly beautiful girl with a voice to match. Schooled under the perfectionist ears of that American musical genius, Duke Ellington, Miss Sherrill has rapidly become an important artist in the field of jazz and popular vocalizing. She has recorded over forty sides with the Ellington orchestra for RCA Victor. Here, she makes her debut as a solo recording artist. We know that you'll agree with us that she is certainly an artist of major stature. Notice how she changes the mood as she sobs the lament of Billy Strayhorn's haunting Lush Life and then bounces into the lit of Thou Swell.

Joya has appeared in a list of theaters literally from coast to coast including the Paramount and Strand in New York, the Chicago in Chicago and the Paramount in Los Angeles. Her night club dates include Ciro's and the Macombo in Hollywood, the Black Orchid in Chicago, Casino Royal in Washington, Town Casino in Buffalo and the Blue Angel, Ruban Bleu and Cafe Society in New York. She has appeared on the Ed Sullivan and Steve Allen TV shows and recently starred on the Theater Guild's production for U.S. Steel of Duke Ellington's great jazz classic A Drum A Woman. Nuff said.


Gypsy In My Soul
Baby Me
Who Needs Spring
Lush Life
Between The Devil And The Deep Blue Sea
Chloe
Who Do I Worry
Easy Street
End Of A Love Affair

Tuesday, October 24, 2017

Friml's Rose Marie

Oh What A Beautiful Day
Friml's Rose Marie
The Broadway Orchestra and Singers
Halo 50241
Printed in U.S.A. - Record Corporation Of America - Union City, New Jersey
1957

This is the track list (below) is as it appears on the disk label (there is no list printed on the back jacket). From the sample above, the only track to feature vocalists, the list is obviously wrong.

Regimental Song
The Door Of Her Dreams
Indian Love Call
Rose Marie
L'Amour Toujours L'Amour
Allah's Holiday
Only A Rose
Melodie
Valse Huguette
Donkey Serenade
Indian Love Call

Come To My Party - Mrs. Mills

I'll Always Be In Love With You
Come To My Party
Mrs. Mills
With Accompaniment Directed by Geoff Love
Produced by Norman Newell
Printed and made by Garrod & Lofthouse Ltd., Great Britain
Parlophone/E.M.I Records - Hayes-Middlesex-England
PMC 7010
1966

Good Morning
Me And My Shadow
I'll Always Be In Love With You
Promises
Far Away Places
My Melancholy Baby
Second-Hand Rose
There's A Blue Ridge 'Round My Heart, Virginia
There
Let Him Go, Let Him Tarry
I Belong To Glasgow
Dancing With My Shadow
Over The Rainbow
Get Out And Get Under The Moon

The Fabulous Bill Holman

The Fabulous Bill Holman
Coral Records
Cover photo by Garrett-Howard
CRL 57188
1958

Audio files are available from online vendors so I will not be posting a sample. Presented here to share the back cover information.

Fine big band jazz set featuring one 17 minute Holman penned track on side 2, The Big Street.

Personnel:

Bill Holman, Arranger-Conductor-tenor saxophone and Leader

Trumpets - Al Porcino, Roy Linn, Conte Condoli, Stu Williamson (also plays valve trombone)

Trombones - Bob Fitzpatrick, Ray Simms, Lew McCreay*

Saxes: Charlie Mariano, Herb Gellar, altos; Charlie Kennedy, Richie Kamuca, tenors; Steve Perlow, baritone. Rhythm: Mel Lewis, drums; Max Bennett, bass; Lou Levy, piano.

*Replaced by Harry Betts and Bright Eyes, Evil Eyes and You And I.

Solo Annotation:

Airegin - Bill Holman, tenor; Conte Condoli, trumpet; Mel Lewis, drums**; Max Bennett, bass.

Evil Eyes - Lou Levy, piano; Holman, tenor; Lewis (breaks leading to coda).

Bright Eyes - Levy, piano; Williamson, trumpet; Holman, tenor; Bennett, bass.

Come Rain Come Shine - Holman, tenor; Roy Sims, trombone; Holman, tenor

The Big Street

Part I - Lewis, drums; Condoli, trumpet; Holman, tenor; (16 bars). Charlie Kennedy, tenor; (16 bars), Holman, tenor; (8 bars). Charlie Kennedy, tenor (8 bars). Levy, piano, Lewis (on assemblage of breaks in closing portion and final break into Part II).

Part II- Holman, tenor; Sims, trombone; Geller, alto, Holman, tenor.

Part III - Mel Lewis, drums; Williamson, trumpet; Bennett, bass; Richie Kamuca, tenor; (16 bars) Holman, tenor; (16 bars) one chorus of four bar exchanges between Holman and Kamuca, with Kamuca leading off... Lewis (a group of breaks shortly before close)

**only key drum solos, breaks noted

From the back cover: Bill Holman, a 30 year old native Californian, first manifested interest in music as a teenager, started playing clarinet at 13, going on to tenor at 15. After spending two years in the Navy, studying engineering at the University of Colorado and UCLA, he decided to go into music full-time in 1948.

In order to pursue this course, Holman attended the Westlake College of Music (1948-50) and studied counterpoint with Russ Garcia... First playing with local bands around Los Angeles, then with Ike Carpenter. Holman joined Charlie Barnet (1951). Stan Kenton (1952-53), attaining national recognition for his playing and writing with Kenton, remaining on the Kenton arranging staff until the early part of 1956.

Since then, he has contributed to the Kenton Library on occasion, written for recordings, played with Conte Candoli, the Lighthouse All Stars, the Shelly Mann unit, and Shorty Rodgers' Giants....

Currently Holman resides in "a typical Los Angeles suburb" with his wife and two young sons.


Airegin - Sonny Rollins
Evil Eyes - Bill Holman
You And I - Meredith Wilson
Bright Eyes - Bill Holman
Come Rain Or Come Shine - Johnny Mercer & Harold Arlen
The Big Street - Bill Holman

Monday, October 23, 2017

Charlie Ventura Concert

East Of Suez
Gene Norman Presents
Charlie Ventura Concert
Featuring The Charlie Ventura Septet
Jackie Cain & Roy Kral
Actually Recorded at Gene Norman - Charlie Ventura concert - Pasadena Civic Auditorium, Pasadena, California in 1949
Decca Records DL 8046
1953

Charlie Ventura - Tenor Sax
Conti Condilo - Trumpet
Benny Green - Trombone
Boots Musailli - Alto Sax
Roy Kral - Piano
Kenny O'Brien - Bass
Ed Shaughnessy - Drums

Splendid jazz set featuring excellent live performance engineering.

Introduction and Theme Music, including:
Yesterdays - Jerome Kern-Otto Harbach
 The Peanut Vendor - Moses Simons

Euphoria - Roy Kral - Charlie Ventura
Instrumental Fox Trot with Voices of Jackie Cain and Roy Kral Charlie Ventura Septet

Find And Dandy - Kay Swift - Paul Jones
Instrumental Fox Trot featuring Conti Condoli, Tumpet Solo Charlie Ventura Septet

East Of Suez - Louis Stein - Charlie Ventura
Instrumental Fox Trot with Voices of Jackie Cain and Roy Kral

If I Had You - Ted Shaprio-Jimmy Campbell-Reg Connelly
Instrumental Fox Trot featuring Charlie Ventura, Baritone Saxophone Solo

I'm Forever Blowing Bubbles - Jean Kenbrovin-John W. Kellete
Instrumental Fot Trot with Voices of Jackie Cain and Roy Kral

Pennies From Heaven - Arthur Johnston-John Burke
Instrumental Fox Trot featuring Benny Green, Trombone Solo

How High The Moon - Nancy-Hamiliton-Morgan Lewis
Instrumental Fot Trot

Fiddlin' For Fun - David Rose

Misirlou
Fiddlin' For Fun
The Dazzling Music Of David Rose and His Orchestra
MGM Records E3108

Obscure alternative cover(?) for the more common MGM catalog number E3108 (see second cover image) with a 1954 pressing date.

The Syncopated Clock
Misirlou
On A Little Country Road In Switzerland
Fiddlin' For Fun
Waukegan Concerto
Waltz Of The Bubbles
Parade Of The Clowns
Paris, Oui! Oui!
The Flying Horse
Vanessa
Portrait Of A Flirt

Big Beat On The Organ - Jon Thomas

Hot Tip
Big Beat
On The Organ
Jon (Hard Head) Thomas
Mercury Records MG 20303 & Mercury Wing SRW 16258
1958

Hot Tip
Sleepy Lagoon
St. Louis Blues
September Song
Go And See
Blu Jon
Diane
Beau Brummel
Jelly Bean
Hard Head
Memories Of You

That English Sound

Help!
That English Sound
Producer: Willam Beasley
Recording and Compatible Mastering: Columbia Recording Studio
Engineer: Tom Sparkman
Cover Design: Harris Martin
Modern Sound MS 552

We Can Work It Out
As Tears Go By
Yesterday
Where Were You
You Make The Decisions
Help!
Mrs. Brown You've Got A Lovely Daughter
Day Tripper
Just Give Me Time
Bless You Little Girl