Search Manic Mark's Blog

Wednesday, November 5, 2014

Have You Met Don Rondo?

Have You Met Miss Jones
Have You Met Don Rondo?
Produced by Morty Palitz
Cover Design by Sy Leichman
Photography by Varon
Arranged and Conducted by Dave Terry - Sy Oliver
Jubilee 1081
1958

From the back cover: Don has been on the national vocal scene since "Two Different Worlds" His recording of that ballad put one of the first serious dents in the rock-and-roll rule. It tempered the tastes of the teen-agers. It wafted him out and up from the local vocal scene for good.

That local scene was not one that began and ended in snap-of-a-finger time. It encompassed the type of training and background and struggle that makes more likely the ability to absorb the knock of an opportunity and stay on one's feet.

Don Rondo was raised on a dairy farm in Ware, Mass. That farm was where he was born, milked cows, gathered hay. Ware was where he went to school, sold milk, won local amateur singing contest that started his professional career.

There is a you've-heard-one-like-this-before kind of story about that contest. During World War II, when two of his brothers were drafted, Don had to leave high school to work full time on the farm. Don like to sing while he worked. His parents, though they were not at all musical, had no objection. Then, one day, two grain buyers visited the farm, heard Don sing and entered him in that contest at the local Lion's Club.

The winning of the contest gave Don a once-a-week radio show on WACE. That exposure got him work with local bands, gave him the necessary experience to gain him a spot with an USO unit that toured Europe.

When Don was 17 he met Ida May Bousquet. Two years later they were married. Now they have three children – Ronald, Debrah and Gay. And they all have to eat whether Dan was singing or not. So, frequently, Don would work at anything to make "bread" – sometimes he worked as a farm hand, often he was a construction worker, most frequently he earned his keep as a plumber.

Always, there was the singing career and the club-dates, etc. to keep it going. Then came a chance meeting at a New York rehearsal hall – a meeting with singing comedienne, Fay De Witt. She was working on a CBS Radio Show called "Young Ideas." She liked the way Don sang, introduced him to her producer. So Rondo joined the cast… and the national vocal scene.


From November 17, 1958 Billboard: Don Rondo's following in the singles field should assure this package of sizable sales. The warbler sings with verve on a group of swingy arrangements of oldies with girl's names as titles – "Liza" Stereo tag isn't important here. Jocks should play both versions. Cover is marred by unflattering photo of Rondo.

Liza
Stella By Starlight
Ramona
Charmaine
Laura
Margie
Jeannine
Mona Lisa
Diane
Dolores
Peg O' My Heart
Have You Met Miss Jones?

Sunday, November 2, 2014

Soft Vibes Soaring Strings - Lionel Hampton

On Green Dolphin Street (Jack Pleis)
Soft Vibes Soaring Strings
Lionel Hampton
Produced by Teo Macero
Songs conducted and arranged by Teo Marceo or Jack Pleis
Cover photo by Scott Hyde
Columbia CS 8461
1961

From the back cover: Hamp's new vibraphonic excursions into form and instrumentation have always been interesting and dynamic, never without logic – often complexly logical – intention. Take his Golden Vibes (CL 1304, CS 8110, Stereo), for instance. Here, the musicians were divided between rhythm and reeds. The most memorable work-outs, probably, on that record were The Nearness Of You and The High And The Mighty, with Hampton caressing his vibes, and then heating them near to the melting-point.

From October 9, 1961 Billboard: Here's a lushly orchestrated package of melodic mood music with a tasteful jazz flavor. Blending his standout vibe solo work with sweet strings, Hampton provides rich, listenable instrumental treatment of "Deep Purple," "Once In A While," "Ruby." and other dreamy oldies.

The arrangements are not "cutting edge" by early 60s standards, although the arrangement on The Blues I Got Comin' Tomorrow does including a "thumping" bass effect which causes this track to sound "out-of-place" in the set. The majority of the set is one if the better "lush-strings" albums I've collected. The strings blend nicely with Hampton's vibes and the "light jazz" influences help keep the music sounding fresh today.

Deep Purple
Stairway To The Stars
Do Nothin' Till You Hear From Me
Over The Rainbow
Once In A While
Gone Again
Star Eyes
Laura
On Green Dolphin Street
The Blues I Got Comin' Tomorrow
Ruby

Saturday, November 1, 2014

Leaving On A Jet Plane

Opus 1
Jet Plane
Leaving On A Jet Plane
Design Records SDLP-312

Directionless mess of awful studio tracks… I enjoyed the experience from start to finish…

Leaving On A Jet Plane
New World Coming
Sunset In Paradise
Sky Stream
Opus #1
Winter World Of Love
The Awakening
Bluette
Sari

Tuesday, October 28, 2014

Diane - Bo Rhambo

Loafing
Diane
Bo Rhambo
Imperial LP-12088
1964

From the back cover: Like his music, Bo Rhambo is a natural musician. He plays tenor saxophone and trumpet, self-taught on both instruments. In fact, Bo taught himself to read, write, and arrange music before he ever started playing a horn. Born in Austin, Texas, Bo grew up with an interest in music. He couldn't afford music lessons, so he took to learning it himself. He learned so well that when he bought his first instrument, a trumpet, during his first year of college, it was only a scant three months before he was playing in the college band. Five months after he started playing trumpet, he organized his first band, made up of fellow students, and played local dances and parties. In between, he taught music in the surrounding small towns. Three years later, when his tenor man failed to show for a dance, Bo filled in on tenor, liked the instrument, and has played it ever since. He has headed his own band off and on for the past eighteen years, although in recent years he has chosen to work with a trio.

In this album you'll hear the work of Bo Rhambo, trumpeter, and Bo Rhambo, saxophonist. He vacillates between the two horns, depending on the particular mood of the tune, and sometimes plays both during one song. Complementing Bo like another right arm is Teddy Wood's organ and piano. Wood's feel for the ballad is poignant, tasteful, and with much feeling. Laying down the beat on the drums in Bobby Pittman. At no time do you get the feeling that these three men walked into a recording studio just to do a job. Rather, you feel as if they are sitting in the next room playing for theirs and your enjoyment. But that's the way Bo Rhambo planned it.

Indian Love Call
Blues For The Doll
Lost In A Day Dream
Move It On Out
Diane
Stardust
Jump Time
Loafing
Bo's Blues
Blue Mist

Monday, October 27, 2014

Flutists' Showcase

Pavane - Ravel - Geargart
Flutists' Showcase
Directed by Frederick Wilkins
Golden Crest Records
CR 4020

Terrific Golden Crest cover design. The set features more "moody" tracks amongst the "standards" such as Flight Of The Bumble Bee.

Nice set.

Scherzino (Three flutes in C and piano)
Soliloquy (For solo flute)
Intermezzi (For three flutes in C)
Danse of The Mirlitons (Three flutes in C and piano)
Sursum Corda (For flutes in C)
Grand Quartet in E Minor (For four flutes in C)
Flight Of The Bumble Bee (Three flutes in C and piano)
Canon (For two flutes in C and Alto flute in G)
The Swiss Shepherd (Played on the E flute)
Quintet (For four flutes in C with piano)

Dick Hyman & Harpsichord In Hi Fi

The Blue Whistler
Dick Hyman & Harpsichord In Hi Fi
With Trio and Orchestra
MGM Records E3606
1958

From March 3, 1958 Billboard: A charming package. Hyman's keyboard technique is of a very high order, and his good taste is unfailing. Result is an album which cannot fail to hold listeners.

A mixed bag of "nostalgic" sounding tracks with few space age touches.

When You're Smiling
Threepenny Tango
Junglero
Mandolins Of Venice
The Red Cat
Gimme A Little Kiss
Blue Danube Bounce
The Red Head
The Blue Whistler
Hi-Lili, Hi-Lo
Tokyo Alley
Good Times

Alma de Mujer - Nico Membiela

Ojo Malvados
Alma de Mujer
Nico Membiela
Adria AP 22

Alma De Mujer
Amore En Tragos
Ojos Malvados
Amar Y Vivir
Estas En Mi Corazon
En Las Tinieblas
Siboney
Ni Por De Cristal
Panama

Sunday, October 26, 2014

La Creation du Monde

La Creation du Monde
La Creation du Monde - Mildaud
L'Historie du Soldat - Stravinsky
Everest SDBR-3017
1959

From the back cover: Briefly, the action of La Creation du Monde is a danced interpretation of the creation of all living things beings. From out of the dark, mass of dancers emerge, one by one, trees and animals, progressing from the lowest forms of life to the highest, Man and Woman, who conclude the work with a climatic kiss of fertility. Mihaud's music accompanies this action on a relatively subdued plane, but the spirit of jazz, particularly the blues, is ever present.

Friday, October 24, 2014

Tanzhits '72

Shaft
Tanzhits '72
Hugo Strasser und sein Tanzorchester
EMI Columbia Tanz Illustrierte
C062-29 442

Shaft
Fireball
Spanish Harlem
We Are Going Down Jordan
Mamy Blue
Soley Soley
Borriquito
Let It Rock
This Is The Way To Amarillo
Jeepster
Holiday Stomp
Shalako

Monday, October 20, 2014

Bossa Now! - Joe Harnell

Serenata
Bossa Now!
Joe Harnell
Produced By Mike Berniker
Arranged And Conducted By Joe Harnell
A Total Sound Experience
Columbia CS 9499
1967

Bossa Wow! A terrific space age Latin project that grabs you from the first track and won't let go. Lush, groovy, driving sound featuring Harnell's sparkling arrangements and keyboard work.

From the back cover: Bossa Now! is just that! The exciting difference is the "bossa" sound of today. Take, for instance, the unusual instruments Joe has brought together for this album and the way he uses them. There's the sitar, the indian stringed instrument. Until now, the sitar has been limited to background accompaniment in "rock" sessions. Recognizing the instrument's potential, Joe has brought the sitar front and center, giving it a beautiful melodic line and making it an integral part of the orchestra. You'll hear the haunting sound of the sitar featured in Serenata.

The bellzukie is another sound maker that has the freshness and vitality of today. With a musical range from the whine of a Honda to the mellowness of a cello, the amplified bellzukie come into its own in Blame It On The Bossa Nova. Credit for the Blame goes to Joe and his free-wheeling arrangement that pits the bellzukie against a brace of individually tuned bongos. Add to this the magnificent string section that has become a Harnell trademark and the exciting woodwind virtuosity of Phil Bodner and you have a great example of Harnell's gift for arranging and orchestrating an old standard into something new and exciting.

Just to make sure that Bossa Nova remember its heritage, several Brazilian instruments play a key part in the session. The cabaso is a beaded shaker that gives the group a subtle, insinuating snap. And there's the cuica, the metal drum that opens Un Poco Rio.


Un Poco Rio
Guantanamera
So Soon
Serenata
So Nice
Music To Watch Girls By
Desafinado
A Man And A Woman
Blame It On The Bossa Nova
Bermuda Concerto
Spanish Flea