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Friday, March 11, 2011

Harpist's Holiday - Robert Maxwell

Night and Day
Harpist's Holiday
Robert Maxwell
Harmony HL 7007
1957 (Original release 1947)

Harpist's Holiday
Robert Maxwell
Columbia CL 6104
1950 (10 inch disc)

Robert Maxwell was known to use the harp more as a percussion instrument, an innovative approach. This Maxwell re-release HL 7007), features eye-catching cover art. The set is soft sounding and a good "mood" LP for 1957 and ahead of it's time when originally released in 1947.

From the back cover (CL 6104): Maxwell began playing the harp almost on impulse. As a result of a musical aptitude test, he was awarded a scholarship at the Juilliard School of Music, with a choice of instruments. He selected the harp, and after six years of hard work obtained his first job as a professional harpist. After a short time with local orchestras, he appeared with the National Symphony at Carnegie Hall and later appeared in recitals and with many great symphonic organizations. When war broke out, Maxwell joined the Coast Guard and it was then that his career really got under way.

While touring the South Pacific with a service band, Maxwell was heard by Rudy Vallee, who encouraged him to arrange and play solos with the band as background. His solos met with immediate and outstanding acclaim, and he made many of his popular arrangements at this time. His success continued after his discharge and he has since appeared in many of the country's most famous night clubs and as guest artist on scores of radio programs. Writing his own arrangements, he drew fully upon the potentialities of his instrument, and endowed it with a warmth and humor missing since the days of the late Caspar Reardon and the fantasies of Harpo Marx.

From Billboard - December 13, 1947 (C-149 review): Robert Maxwell's harp plucking make for a novel and interesting musical package. Going the gamut from the boogied "Harping on a Harp" to the strictly interpreted classic selections, Maxwell displays technique and imagination that has been lacking among harpists since the death of Casper Reardon. The package should do best in class shops but lacks universal interest.

From Billboard - March 13, 1950: An enchanting and varied program of harp solos in the popular idiom has been transferred from regular shellac to long-play to make up an entirely delightful item for relaxing listening. At the same time, it serves to preserve the tremendous virtuosity of Robert Maxwell, whose work is the contemporary equivalent of the late Casper Reardon's. But the limited popularity of the instrument will confine the sale of this platter to class locations for the greater part.

Jerome Kern Medley: Make Believe - Old Man River
Smoke Gets In Your Eyes
Who?
Sorrento (HL 7007)
Fantasy On Chopsticks
Hungarian Rhapsody No. 2
Clair De Lune
Harping On A Harp
Night And Day
Ay, Ay, Ay

Pleasant Percussion - Music Of Leroy Anderson

Plink, Plank, Plunk
Pleasant Percussion
Music Of Leroy Anderson
Dean Franconi And His Sound Stage Orchestra
International Awards Series AK-176

Pleasant yes, but way little light on the "percussion".

The Zither - Ruth Welcome / The Cimbalom - Dick Marta

The Zither - Ruth Welcome
The Cimbalom - Dick Marta
Cook Laboratories 1032

Obscure 10 inch LP featuring the wonderful Ruth Welcome's Zither and Dick Marta's Cimbalom. The Cimbalom... the instrument you hear in those great 60s spy movies that sound like someone banging piano strings.

Melody Of Love - Volume 2

The Breeze And I
Melody Of Love
Moments To Remember Volume 2
Vincent Lopez And His Orchestra
Enoch Light And His Orchestra
FDR MHK 33-1232
Waldorf Music Hall, Inc
1958

The cover model is Tina Louise who later became widely known for her work as "Ginger" on Gilligan's Island.

Louis had made a name for herself by appearing in Playboy in 1958 and '59.

The set is an uneven sounding collection. Both instrumentals and vocal numbers are included and some of the tunes are pretty dated sounding. However, there are a few decent tracks including The Breeze And I (Light) and Blue Mirage (Lopez).

Thursday, March 10, 2011

Guitar... Mottola

Carnival Time
Guitar... Mottola
Tony Mottola America's Greatest Guitarist
Command RS 807SD
1963

Tony Mottola and Command! Always a great combo!

Apparently this is a re-release of another title from the Command library: Mr. Big (1959). This album features different cover design by the creative Charles E. Murphy, the designer who created so many of the graphically appealing early 60s Command covers. Curiously the back jacket informs the buyer to check for details (album production information) inside of the "double album jacket". However, this is a single, not a book-fold jacket.

The engineering, as usual, is amazing as is the stereo processing. Mottola plays over himself from one channel to the next.

Danger
Carioca
What's New
Dancing On The Ceiling
I Didn't Know What Time It Was
Carnival Time
The Song Is You
Spring Is Here
Humorescapade
Prelude To A Kiss
Am I Blue
Coquette

Kismet - Percy Faith

Kismet
Percy Faith And His Orchestra
Columbia CL 550
1954

I purchased this Percy Faith album for the graphically bold and beautiful cover. This album is apparently Faith's third album (of many) according to his wiki page discography.

Columbia marketed the record in billboard as an album that dealers where using to demonstrate sound systems. Apparently due to the good dynamic range of the recording.

Available on CD or purchase by the download with different and pretty awful looking art.

Wednesday, March 9, 2011

Around The World In Percussion

Caravan
Around The World In Percussion
Romantic Sounds From Romantic Places
With Irv Cottler and Hollywood's Leading Percussionists
Recorded under the direction of D. L. Miller
Somerset STEREO FIDELITY SF-13900
Miller International Co.
1961

From the back cover: Irv Cottler is considered by record and film producers as one of the greatest drummers in the U.S.A. He has played in the top dance bands of the golden age of dance bands – Tommy Dorsey, Les Brown and Claude Thornhill.

Born in New York, he studied at Radio City and after leaving the bands, he moved to the West Coast. He currently plays the Dinah Shore show and records with top acts in the country, including Billy May and Frank Sinatra.


Miserlou
On A Little Street In Singapore
Moon Of Manakoora
Sorrento And Santa Lucia
Ritual Fire Dance
Oriental
Caravan
Under Paris Skies
Arab Dance
Espana Cani
Baubles, Bangles And Beads
Song Of India

Time For Listening - Richard Hayman

The Touch

Time For Listening
Richard Hayman And His Orchestra
Custom High Fidelity
Mercury Records MG 20103
1956

From the back cover: Born in Cambridge and reared in Winthrop, Massachusetts, Hayman as a boy taught himself the harmonica and the accordion. In 1938, fresh out of high school, he joined the famed Harmonica Rascals led by Borrah Minnevitch. His sense of prankishness and admirable comedy landed him in bit parts in several Betty Grable movies. Then Georgie Stall, a musical director at MGM took a strong liking to Richard and he taught him the highly specialized art of arranging background music for films. Among his major credits are "Meet Me In St. Louis" and "State Fair."

Vaughn Monroe lured Hayman away from Hollywood for four years until Hayman stepped out as a free-lance arranger-composer and he linked up as musical director with a singing discovery at Mercury Records, Bobby Wayne. Once his orchestral talents became conspicuous at Mercury, the company signed him as an artist in his own right, to conduct and play harmonica in his own enviable style.

Arthur Fiedler and the Boston "Pops" Orchestra have recorded composition of Richard Hayman, a source of great pride to the young musician.

From Billboard - September 22, 1956: Harmonic virtuoso and ork in a surprising variety of rhythms, with unique arrangements. Hayman has woven some standards and some tunes not so standard into a pattern for extremely pleasant listening. Plenty of stuff here worth deejay attention and platter should attract.

The Touch
Simonetta
The Cuddle
Back Street
April In Portugal
Somersault
Spanish Gypsy Dance
Mr. Pogo
No Strings Attached
Drive In
Hernado's Hideaway
Plymouth Sound

The Unicorn - Peter Pan Records

Green Tambourine
The Unicorn
Peter Pan Pop Singers And Orchestra
Peter Pan Records 8068
1968

The Unicorn? What does a unicorn and Noah's Ark have to do with any of these pop songs? Nothing... that's what. And why the implication that the unicorn was left behind to drown? Dang it! I knew Noah forget something!

Enjoy the Peter Pan Singers as they struggle through The Lemon Pipers' Green Tambourine.

Great!

77 Sunset Strip - The Arron Bell Orchestra

77 Sunset Strip
Kookie's Caper
77 Sunset Strip
The Arron Bell Orchestra
Lion L70116
1959

From the back cover: About Arron Bell – One of America's top jazz specialists on bass and the veteran of such great combos as those of Teddy Wilson, Andy Kirk and Lester Young, Aaron is a familiar attraction at jazz spots like The Embers and The Left Bank in New York City. With his own group, he recently captivated audiences at the famous Concord Hotel, Kiamesha Lake, NY, for a record run of eighteen months. His credits include an appearance on Broadway in the stage version of Compulsion. He'll soon be featured on a TV series. The musicians Aaron has chosen to appear with him in this recording rank among the country's finest jazzmen – Seldon Powell, flute and tenor sax; Ray Bryant, piano; Kenny Burrell, guitar; Eddie Costa, vibes; and Oliver Jackson, Jr. Drums.

From Billboard - April 27, 1959: The low-price label could have another hot seller as a follow-up to its "Peter Gunn" LP which also features the Aaron Bell Ork. This set contains the well-known theme from the TV show, played in jazz style, in blues fashion and with a vocal as well as other songs from "77 Sunset Strip" including "Stu Bailey's Blues" and "Caper at the Coffee House." It's timely and should grab a lot of sales on the racks both stereophonically and monaurally.

77 Sunset Strip (Vocal)
77 Sunset Strip Jazz
77 Sunset Strip Blues
Swingin' On The Strip
Stu Bailey Blues
Caper At The Coffee House
Kookie's Cape