Command Performace - Harry Sukman

The Breeze And I

Command PerformanceThe Piano And Orchestra Of Harry Sukman
Liberty Records LRP 3135
1960

The April 18, 1960 Billboard put the "Special Merit Spotlight" on this album: This is a fine new album featuring Harry Sukman, the concert pianist who composed the background score for the film based upon the life of Franz Liszt, called "Song Without End." Included here are manyh of Liszt's famous works, including "Liebestraum," "Hungarian Fanstast." and Concerto No. 1." They are played expressively by Sukman over full orchestral support. This album should have strong appeal when the film is released nationally.

Sukman was a prolific soundtrack composer. His first imdb.com credit is for a 1954 sci-fi movie, Riders To The Stars. Curiously, unless I missed it, Sukman doesn't have a wiki page. His daughter, Susan Sukman McCray, has written a book for children based on her father's "young life and love for the piano". Copies can be purchase directly from her website.

The Silencers - Dean Martin

Dean Martin

The Silencers

Reprise Records RS/6211

1966

This was not the soundtrack, but a "tie-in". The Amazon review calls the movie itself "barely a movie".

I have NO idea how songs like Empty Saddles in The Old Corral or The Last Round-Up fit into the movie... if if they do at all. The last track on the B side is an instrumental titled The Silencers. I assume that song was actually featured in the movie (as indicated on the wiki "Silencers" page).

Total cheese for the most part, however, the tracks, Lord, You Made The Night Too Long and The Silencers instrumentals are cool.

Latin ala Lee!

Latin ala Lee
Broadway hits styled with an Afro-Cuban beat
Capitol Records T 1290
1960

An unlikely combination of a pop singer, show tunes and latin music.

Lee is backed up by a smoking band, The Jack Marshall Orchestra. Through the first couple of songs, I was hip to the instrumentals but not Peggy. The third track, Till There Was You from The Music Man, was slow enough to allow the smoky quality of Lee's voice to take over. The same goes for Hey There, from The Pajama Game a track that also has a quirky 60s feel to it. I'm being picky, but a few tunes didn't translate well to "Latin". But the majority of tracks are wonderful, including The Party's Over from Bells Are Ringing and Wish You Were Here from Wish You Were Here.

I was draw to the album by the fun cover art which won a Grammy in 1960.

Sax In Satin - Bobby Dukoff

Sax In Satin

Bobby Dukoff And His Orchestra
With The Ray Charles Chorus
RCA LPM 1167
1956

There are at least a few tracks from this set available for purchase download, so I will not be posting a sample here.

Apparently Dukoff developed his own mouth pieces which you can purchase from his website.

Dukoff obit.

Tenderly
There Is No Greater Love
Let's Fall In Love
This Love Of Mine
Whisper Softly
Should I
Tea For Two
I Thought About You
Breezin' Along With The Breeze
I Want To Be Loved
Star Dust
Whoop Dee Dee

Latin Impressions By Socarras

Capricho Brujo

Latin Impressions
By Socarras His Magic Flute And His Orchestra
Decca Records DL 8559
1957

From Billboard August 5, 1957: Interesting tone color of Alberto Socarras flute dominates mambos and cha chas derived from seemingly unlikely sources.

Two blonde Latin Wannabes being lured to dance by the devilish Pied Piper's flute being wielded by the Bela Lugosi-esque Socarras grace the cover.

From his wiki page: In the 1950's Socarras took part in Rod Serling's The Twilight Zone on TV and offered concerts of cult music at the Carnegie Hall in New York.

There is probably no tie in to this cover art and The Twilight Zone or is there?

The music is pretty straight forward Latin made bright by Socarras's Magic Flute. The last tune on the set, Capricho Brujo is a Mambo tune and the only track credit to Socarras. And the song is one of the better tunes on the album.

African Latino Voodoo Drums - Choco & His Mafimba Drum Rhythms

Fantasia Haitiana

African Latino Voodoo Drums
Choco & His Mafimba Drum Rhythms
Audio Fidelity AFSD 6102
1963

Audio Fidelity released records with well designed covers!

According to the back cover Choco is short for Chocolate. There is extensive notes covering the history of Afro-American folk music on the jacket, but nothing is mention about the performer(s) on this record.

The first three tracks on the B side are Fantasia Haitiana. From the back cover: The Fantasia Haitiana Nos. 1, 2 and 3 are unusual because they show how, in the hands of an artist like Chocolate, primitive rhythms can be developed into a set of metrical variations.

The entire recording focuses on variations of drum percussion.

Baxter's Best

Baxter's Best
The Star Line
Capitol Records T 1388
1960

This is a nice collection of Baxter tunes recorded from 1951 - 56. The May 16 Billboard called this "package of old sides" but gave the record "very strong sales potential".

You can visit bax music and sample tracks from a number of Baxter projects.

Love That Bert Kaempfert And His Orchestra

Love That Bert Kaempfert
And His Orchestra
Decca DL 74986
1968

This set is light for 1968. That fact aside, the sound turns out to be a lot more fun that I expected. Great easy listening with a sense of humor.

Percussion Expanol

Percussion Espanol

Time Series 2000
S/2006
1960

High quality recording on the TIME label with arrangements by Al Caiola.

The jacket is a double truck and I think this record must have been Time's answer to Enoch Light's Command Percussion Series.

By way of a sample, I picked Andalucia (better known as The Breeze And I) because the tune is so widely known as an "exotica" tune. It's also the best track off the record in my opinion.

Al Caiola also played guitar on this album as well as Mr. "X", John Pizzarelli and Don Arnone. Who Mr. "X" is... I have no idea. There are no online references for someone who would have been playing that many decades ago. Someone under contract to another company? Who knows?

Anyway, this isn't a "guitar" album, but more of an small band light 60s percussion/pop album. It's pleasant and consumable. The August 15, 1960 Billboard loved the album. " Al Caiola did the arrangements and they have much showmanship and brilliance."

Carnival In Paradise

Come To The Caribbean

Carnival In Paradise
Carib (A Product Of Caribbean Folk Music)
LP 2036 Stereo
1962

Here is an obscure and terrific compilation album. Not only is the cover a treat, but Carib did a great job of assembling together a number of smoking "island" tunes including, Chippy's Junkanoo Street Carnival. A wild percussion based tune that is apparently a Christmas song and sounds like it could have been recorded by a New Wave band in the 70s. The Eloise Trio's, Come To The Caribbean is Yma Sumac-like.

Wings Of A Dove with Vocalist Lionel Lotmore is also a cool tune featuring a Reggae beat. That song is followed by one of the smoothest covers of Yellow Bird I've ever heard by Roy Shurland. Other songs I really enjoyed were Junkanoo In Nassau by Tony Alleyne & The Big Bamboo Orchestra and Bahama Lullaby also by Roy Shurland at the Big Bamboo.