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Tuesday, May 28, 2024

Close Your Eyes - Frank Chacksfield

 

I Didn't Know What Time It Was

Close Your Eyes
Frank Chacksfield and His Orchestra
Featuring Bobby Pratt (Trumpet)
London Records LL 1440
1956

From the back cover: Frank Chacksfield is one of this country's leading conductors in the field of light music. Since making his first records for London, Ebb Tide and Limelight (which earned him the "New Musical Express" Record of the Year award) he has gone from one success to another. In America, in 1953, he was voted by the juke-box operators in a nation-wide poll to have the most promising new orchestra of the year, a prophecy well justified by the magic of his latest recordings. He has now craved a special place for himself as one of the most successful exploiters of the new proportions and needs of the long playing record; obviously the shape of much music to come will be dictated by Frank Chacksfield's experience and skill.

He was born in Battle, Sussex, and studied music from the age of seven, displaying an unusual interest in musical theory from a boy of that age. He learned to play the piano and the organ, passed the Trinity College exams, and appeared as a soloist at the Musical Festival in Hastings, by the time he was fourteen. At the same time he was deputy organist at Salehurst Parish Church, near Robertsbridge, Sussex. He formed his first dance band at the age of fifteen, but his parents were against a musical career and he entered a solicitor's office. It became a case of working all day at the Law, and working all night at Music until ever-increasing popularity convinced him that music was to be his career – a happy decision for his now international legion of admires. The war broke out and Frank joined the Army in 1940. During a period of convalescence from an illness, he made his first broadcast from the B.B.C. Glasgow studios, singing songs at the piano.

Transferred to the Southern Command Entertainment Section of the R.A.S.C. at Salisbury, he became staff arranger to the War Office show "Stars in Battledress", and shared and office with Charlie Chester both being demoted on the same day. This led to a job with "Stand Easy" at Blackpool, with Frank conducting the orchestra. Later be became composer, conductor and arranger for the B.B.C., working with shows such as John Pertwee's "Puffney's Post-Office", the "Frankie Howerd Show", and "Up the Pole!" He made his first record in 1948, and has recorded with, among many, Charlie Chester, Petula Clark, Bill Johnson and the Radio Revellers. After many successful recordings he recorded Limelight for London in April 1953, and so the success story continues.

Mean To Me
I've Got The World On A String
Lullaby Of The Leaves
By The Fireside
Close Your Eyes
The Call To Arms
Love Is The Sweetest Thing
A Blues Serenade
I Didn't Know What Time It Was
My Own
Let's Put Our Heads Together
Where Are Your?

A Night Out With Cindy And Lindy

 

A Night Out With Cindy And Lindy

A Night Out With Cindy and Lindy
Songs and Stories - Nightclub Style
Recorded at The Bon Soir, New York
Coral Records CRL 57370
1961

From the back cover: When reached, a supper-club crowd can be the warmest, most satisfyingly attentive audience an entertainer ever dreamed of. Unmoved, it could freeze over the Gulf Of Mexico. The audience on this record – patrons of New York's posh Bon Sour, in which the album was recorded – have quite obviously been reached.

Cindy Lord and Lindy Doherty, one of the most popular night club attractions in the country, haven't failed to win an audience since they teamed up several years ago.

The act – a delightful, fast-paced panorama of smart songs and engaging special material – is heard here in its natural habitat – the plush intimacy of a sophisticated club.

Cindy, a strikingly beautiful girl from Boston, started singing at the age of two. Under the expert tutelage of her mother – herself a professional singer – Cindy was broadcasting locally at three-and-a-half, star of her own TV show, the award-winning "Teenage Varieties" at fifteen. Cindy worked in TV and radio through high school and after, until, while part of the cast of the "Swanboat Show," she met Lindy Doherty.

Lindy, born in Revere, Massachusetts, plied his singing and dancing talents at such well-known niteries as Hollywood's Ciro's and Macombo, New York's Copacabana. He had also appeared in the Broadway hit, "Top Banana." Then he appeared on the "Swanboat Show," met Cindy, and the act you hear so delightfully showcased in this album was on its way.

Cindy and Lindy's first engagement together, at the Ruban Bleu in New York, was promptly greeted with notices characterized by the following, from the show business paper Variety: "This boy-girl team from Boston rates a sock-nitery turn. Act is lively, the performances are fresh and the material is good."

They have more than fulfilled the promise so enthusiastically predicted by the press, and their lively act, punctuated with touching ballads and spiced with irresistible humor, is favorite fare among audiences from coast to coast.

Here are Cindy and Lindy, who are "the brightest new faces I've seen in years" to Hollywood's famous Bob Hope, and are destined to be your favorites as well.

Always Late
Everything So Chic, It's A Bore
Just For Two
The Ballad Of Sad Young Men
Well Did You Evah
Something Wonderful
We Ain't Goin' Nowhere
April People 
(Ah! The Apple Tree) When The World Was Young
I Never Felt Better
When The Bars Close
The Good Old Days Are Now
We're Late

Tony Mottola Plays Country & Western

 

He's Gone Away

Tony Mottola Plays
Country & Western (Original Title: Folk Songs)
Originated and Produced by Enoch Light
Art Direction: Charles E. Murphy
Command STEREO RS 823 SD
1963 Grand Award Record Co. (on cover)
1972 ABC Records, Inc. (on disk label)

Wayfaring Stranger
Skip To My Lou
Stephen Foster Medley: Beautiful Dreamer / Jeannie With The Light Brown Hair / Oh Susannah
Careless Love
He's Gone Away
Buffalo Gals
Kemo Kimo
Clementine
Spiritual Medley: Nobody Knows The Trouble I've Seen / Swing Low, Sweet Chariot / Oh, Dem Golden Slippers
On Top Of Old Smoky
Love Songs Medley: I Know Where I'm Going / The Riddle Song / Black Is The Color
Good Night Irene

Harry James And His Great Vocalists

 

Skylark - Kitty Kallen

Harry James And His Great Vocalists
Featuring: Frank Sinatra, Dick Haymes, Kitty Kallen, Hellen Forrest
Photo: Don Ornitz
Columbia Harmony HL 7159
1959

On A Little Street In Singapore - Frank Sinatra
But Not For Me - Helen Forrest
Montevideo - Dick Haymes
It's Been A Long, Long Time - Kitty Kallen
Skylark - Hellen Forrest
I'll Get By - Dick Haymes
Manhattan Serenade - Helen Forrest
It's Funny To Everyone But Me - Frank Sinatra
I'm Beginning To See The Light - Kitty Kallen
Yes Indeed! - Dick Haymes

Sunday, May 26, 2024

DixieLand Played By The Left Bank Bearcats

 

Mighty Lak'A Rose

Dixieland Played By The Left Bearcats
Cover Art by Joe Krush
Somerset ALBUM P-1400

From the back cover: Paris and New Orleans. Both of these cities suggest about the same things to the traveler and the dreamer; gaiety, food, the spice of naughtiness and music.

It's small wonder that Parisiennes have taken to the greatest of all New Orleans commodities; Jazz. The urban Frenchmen always expresses himself in a free and uninhibited manner and yet never loses his identity as a frenchman. Is this not so of Dixieland? Remain harmonious and sympathetic to the group, but never conform to preconceived pattern. This is Jazz – This is Paris.

The romance of the Left Bank with all it's color and excitement has an individual quality that sets it apart from the rest of Paris just as the french quarter in New Orleans is unlike any place in any American City. The Left Bank Bearcats are a group of young french jazz devotees that play the various small cafes and bistros Monmarte. Except for Marcel Durand, the leader (and trombonist) no member of the group has ever had any formal musical training. Jacques Cas the drummer worked four years as a deck hand aboard a french luxury liner and spent every off duty moment with the ships orchestra at rehearsals.

Bernard Gaste' plays piano, Robert Eluist banjo, Louis Marquand Guitar. Aron Dubois, the trumpeter, is an ardent fan of Louis Armstrong and boasts the largest personal collection of "Satchmo" recordings on the continent.

These sides were made after closing hours at Maison Diabolique. They were recorded under the supervision of D. L. Miller.

Whether you are a student of Sobornne, a tourist, gendarme or just a darn fussy record collector, we're certain you will enjoy the Left Bank Bearcats in Dixieland.

Monsieur Redwing
Chinatown, My Chinatown
Mighty Lak'A Rose
Mississippi Rag
Lonesome Railroad Blues
Oh, Them Golden Slippers
Bill Bailey, Please Come Home 
When The Saints Go Marchin' In
Sunburst Rag
Mother Goose In Storyville
My Grandfathers Clock